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Northern European 15th-16th centuries

    https://www.nga.gov/collection/paintings/NorthernEuropean15th16thcenturies.html
    The best-known and arguably the greatest German artist, Albrecht Dürer, was born in Nuremberg in 1471. His trips to Italy, where he became acquainted with Giovanni Bellini and with theories of perspective and proportion, were of inestimable importance for the history of northern European art.

The 15th Century in Northern Europe ... - Radford University

    https://www.radford.edu/rbarris/art216upd2012/Northern%20europe%20in%20the15th%20century%20s11.html
    Key factors influencing the art of northern Europe include the following: capitalism and the market economy emerge sooner in northern Europe than in Italy; the 100-years war, which lasted for more than 100 years (1337 - 1453), affected France and England; war was winding down in the early 15th century: leads to increasing stability in France

Northern Europe: 15th century – Smarthistory

    https://smarthistory.org/europe-1300-1800/northern-europe-15th-century/
    Northern Renaissance artists perfected the use of oil paint and painted the world in minute detail. An introduction to the Northern Renaissance in the fifteenth century The …

The Development of Northern Painting in 15th-Century Europe

    https://study.com/academy/lesson/the-development-of-northern-painting-in-15th-century-europe.html
    Apr 18, 2015 · The other area where northern painters developed international fame was in portraits. In the rest of Europe, personal portraits were not widely accepted in the early 15th century.

15th-Century Art of Northern Europe The Walters Art Museum

    https://art.thewalters.org/browse/location/15th-century-art-of-northern-europe/
    4 rows · from the collection of the Walters Art Museum, in Baltimore, Maryland

The Early Renaissance in Northern Europe: Sacred and ...

    https://www.radford.edu/rbarris/art216upd2012/northern%20renaissance%2015th%20century.html
    In northern European painting, although space appears to be convincing, upon close study it seems to be generated by the figures and the symbolic needs of the painting. This difference is less apparent when looking at pre-15th century Italian art because of the continued influence of the …

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