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https://www.tate.org.uk/art/artworks/lichtenstein-whaam-t00897
1963 is a large, two-canvas painting by the American pop artist Roy Lichtenstein that takes its composition from a comic book strip. The left-hand canvas features an American fighter plane firing a missile into the right-hand canvas and hitting an approaching enemy plane; above the American plane, the words of the pilot appear in a yellow bubble: ‘I PRESSED THE FIRE CONTROL…
https://www.tate.org.uk/art/artists/roy-lichtenstein-1508
During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner.
https://www.tate.org.uk/whats-on/tate-modern/exhibition/lichtenstein-retrospective
1963 – a signature work in Tate’s collection – and Drowning Girl 1963 on loan from the Museum of Modern Art, New York. The artist’s rich and expansive practice is represented by a wide range of materials, including paintings on Rowlux and steel, as well sculptures in ceramic and brass and a selection of previously unseen drawings, collages and works on paper.
https://www.artspace.com/magazine/interviews_features/book_report/roy-lichtenstein-what-is-pop-art-55006
Sep 22, 2017 · In honor of the opening of Tate Modern Liverpool's exhibition Artist Rooms: Roy Lichtenstein in Focus, which will feature the artist's landscape, installation, and film work alongside his iconic Pop paintings, we've revisited a 1963 interview with the artist conducted by critic Gene Swenson, excerpted from Phaidon's comprehensive POP compendium (2005). The interview comes from the …
https://www.tate.org.uk/art/artists/roy-lichtenstein-1508/roy-lichtenstein-retrospective
Roy Lichtenstein is one of the foremost pop artists.His work broke with the canons of abstract expressionism in the sixties, by mimicking the techniques of printed material as well as appropriating imagery from comic strip advertisements and other mass printed sources, and we are now looking at his work back in time to reassess his enduring legacy.
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