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https://whitney.org/exhibitions/biennial-1993
The Whitney Biennial 1993 was curated by Thelma Golden, John G. Hanhardt, Lisa Phillips, and Elisabeth Sussman.
https://nymag.com/arts/art/features/jerry-saltz-1993-art/
Feb 02, 2013 · A few 1993ers—Janine Antoni, Pepon Osorio, and Fred Wilson—are now MacArthur winners. Robert Gober, Bill Viola, and Wilson have each represented the United States in the Venice Biennale. It’s fair...Author: Jerry Saltz
https://www.artist-info.com/users/publicpagemuseum/19053
Whitney Biennial 1993 - Whitney Museum of American Art: 1 exhibitions from Feb 1993 - Jun 1993 with artists and curators of solo- and group-exhibitions by Whitney Biennial 1993 - Whitney Museum of American Art, Exhibition History, Summary of artist-info.com records, Solo/Group Exhibitions, Visualization, Artwork Offers, Artwork Requests, Exhibition Announcements
https://www.artspace.com/magazine/art_101/in_focus/history_whitney_biennial-52098
Mar 04, 2014 · In this first official Biennial, over 220 artists filled the five floors of the Marcel Breuer building on Madison Avenue, including Jasper Johns, Robert Rauschenberg, Joan Mitchell, Robert Motherwell, as well as younger artits like Barbara Kruger, Louise Fishman, and Peter Campus.
https://museemagazine.com/culture/art-2/features/a-brief-history-of-the-whitney-biennial-americas-most-controversial-art-show
For the 1993 Biennial, artist Daniel J. Martinez distributed admission buttons that read, “I can’t imagine ever wanting to be white.” In 1932, when most important art exhibitions in America were conservative affairs administered by academic judges, the one-year-old Whitney Museum unveiled an al
https://www.artspace.com/magazine/interviews_features/in_focus/the-whitney-biennial-1993-the-role-of-institutions-in-a-turbulent-society-54620
Mar 13, 2017 · Gary Simmons, Lineup (1993), 1993 Whitney Biennial Some of the most well-known artists of today, like Fred Wilson, Mike Kelly, and Robert Gober, were similarly criticized for their “simplistic” work on race, adolescence, and homophobia.Author: Amelia Ames
https://www.vulture.com/2016/04/identity-politics-that-forever-changed-art.html
Apr 21, 2016 · The background radiation is still there, two decades later, from the infamous 1993 Whitney Biennial — the so-called multi-cultural, identity-politics, political, or just bad biennial.
https://whitney.org/exhibitions/the-biennial
The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. Initiated by the Museum's founder Gertrude Vanderbilt Whitney as an invitational exhibition featuring artwork created in the preceding two years, the biennials were originally organized by medium, with painting alternating with sculpture and works on paper.
https://www.artnews.com/art-news/news/90s-art-3516/
Jan 29, 2015 · Not only the 1993 biennials at the Whitney and in Venice, where identity politics held sway, but Paul Schimmel’s “Helter Skelter” at the Museum of Contemporary Art …
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