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Aquatint - Wikipedia

    https://en.wikipedia.org/wiki/Aquatinting
    Another tonal technique, mezzotint, begins with a plate surface that is evenly indented and roughened so that it will print as an even and fairly dark tone of ink. The mezzotint plate is then smoothed and polished to make areas carry less ink and thus print a lighter shade.

MEZZOTINT Definition of MEZZOTINT by Oxford Dictionary ...

    https://www.lexico.com/definition/mezzotint
    noun 1 A print made from an engraved copper or steel plate, the surface of which has been scraped and polished to give areas of shade and light respectively. The technique was much used in the 17th, 18th, and early 19th centuries for the reproduction of paintings. ‘a series of …

Early history of mezzotint - National Portrait Gallery

    https://www.npg.org.uk/research/programmes/early-history-of-mezzotint/
    Mezzotint has a particular association with portraiture and Browne's prints shed light on the Restoration period of Charles II and the work of the painter Sir Peter Lely. Further research is being undertaken on three albums of mezzotints containing prints both worked and published by John Smith (1652-1743) that date to 1683-1729.

A Short History Of Mezzotint 2 Active Artist Network

    https://activeartist.net/a-short-history-of-mezzotint-2/
    In the end stipple engraving cannot produce the very subtlest tones as can mezzotint because by rocking the mezzotint plate one produces burrs as well as holes in the surface so the dots which are more associated with stipple engraving are not so pronounced. …

5 Types of Intaglio Printmaking Methods That Are Still ...

    https://mymodernmet.com/types-of-intaglio-printmaking/
    Jul 24, 2020 · To work in mezzotint, an artist first uses a tool called a rocker to prepare the metal plate. This tool features sharp metal “teeth” that pierce the surface of the plate as it’s moved (or rocked) across the surface. These small indentations hold the ink, producing a tonal, painterly network of lines.

Masters in Mezzotint: Color Prints by S. Arlent Edwards ...

    https://www.library.georgetown.edu/exhibition/masters-mezzotint-color-prints-s-arlent-edwards
    Nov 06, 2003 · Arlent Edwards, by birth an Englishman, reinvented in his New York work the complex and time-consuming process of single-print mezzotint engraving in color. The process is unforgiving of error or impatience, but allows unsurpassed delicacy of line, color shading, and texture.

How is a mezzotint piece created? Why is it unique and ...

    https://brainly.com/question/6205051
    Oct 16, 2017 · Mezzotint’s tone is created using a special tool, like with drypoint. As the tool moves along the metal surface, it roughs the surface and creates different levels of grooves. When ink is applied to the surface, the varying levels of grooves provide the illusion of various tones and half-tones, while still using the same color of ink.

Rare printmaking skill adds appeal to artist's work

    https://koreajoongangdaily.joins.com/news/article/Article.aspx?aid=3004113
    Art that is created using this technique tends to be thought of as lacking subtle changes in its tones. But mezzotint, a kind of Western printmaking method that features intaglio on copperplates, can produce exquisite gradations of light and shade. It requires the hard labor of roughing and smoothing the copperplates with small tools.

Mikio Watanabe Contemporary Fine Art & Original Prints ...

    https://ebogallery.com/contemporary-artists/mikio-watanabe/nggallery/page/2
    Mezzotint was invented in Germany in the 17th century by an amateur artist, Ludwig von Siegen. At this time, the only method of achieving texture on the copper plate was cross-hatching, and the artists who reproduced the great works of art found that the techniques available did not convey the beauty and subtle qualities of the original paintings.

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