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https://www.artble.com/artists/william_hogarth/paintings/a_rake's_progress
His series of moral paintings, such as A Harlot's Progress and A Rake's Progress took a satirical look at the government and social scene of the day, and highlighted the best and worst parts of English culture. As one of the first British artists to be recognized throughout Europe, Hogarth became a major source of inspiration to other artists. During his lifetime artists and satirists such as John Collier emulated his …
http://www.williamhogarth.org/rakes-progress/
A Rake's Progress (1732-4) was a series of eight oil paintings that were preparatory works for engravings and prints portraying the downfall of the fictional Tom Rakewell. The first, The Heir, introduces Tom after the death of his miserly father, paying off Sarah Young, a maid that he'd promised to marry, while others help themselves to treasures concealed around the room.
https://www.khanacademy.org/humanities/renaissance-reformation/britain-18c/britain-ageof-revolution/a/hogarth-a-rakes-progress
A Rake’s Progress (1735) was Hogarth’s second series and proved to be just as well loved. The main character is Tom Rakewell—a rake being a old fashioned term for a man of loose morals or a womaniser. Tom’s name is intentionally general and in a modern equivalent, he …
https://www.scadmoa.org/exhibitions/2020/a-rakes-progress
British artist Charlie Billingham presents a site-specific installation within the SCAD Museum of Art lobby, in which he pays homage to the museum’s permanent collection holdings of William Hogarth’s historic engraving series A Rake’s Progress (1735). Hogarth’s A Rake’s Progress consists of eight sequential artworks that tell the story of Tom Rakewell, a reckless individual who after receiving his inheritance, …
https://www.tate.org.uk/art/artworks/hogarth-a-rakes-progress-plate-8-t01794
Louis Gérard Scotin (1690-after 1755) is thought to have assisted Hogarth with the engravings. T01794 The Rake's Progress (Plate 8) 1735–63. Etching and engraving 316×387 (12 7/16×15 1/4) on paper 464×624 (18 1/4×24 1/2); plate-mark 359×410 (14 1/8×16 1/8)
https://whitworthlearning.files.wordpress.com/2012/11/hockney-to-hogarth-resource1.pdf
Hogarth’s ‘A Rake’s Progress’ 1735! Hogarth was famed for his ‘Modern Moral Subjects’ which commented on contemporary life. The second in this series was A Rake’s Progress, which was painted soon after the publication of ‘A Harlot's Progress’ in 1732. The paintings were presented as a …
https://smarthistory.org/william-hogarth-a-rakes-progress/
A Rake’s Progress (1735) was Hogarth’s second series and proved to be just as well loved. The main character is Tom Rakewell—a rake being a old fashioned term for a man of loose morals or a womanizer. Tom’s name is intentionally general and in a modern equivalent, he …
http://www.artoftheprint.com/artistpages/hogarth_william_arakesprogresscompletesetofeight5.htm
A Rake's Progress: Plate 5 (The rake, Tom Rakewell has been saved from debtor's prison) was both designed and engraved by William Hogarth. This original engraving is printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822.
https://www.theguardian.com/artanddesign/2014/jun/06/hogarth-rakes-progress-david-hockney-grayson-perry
Jun 06, 2014 · A Rake's Progress appeals to all, Brennan thinks, because of its playful quality, the way the narrative unfolds in time, and the details that make it human. Hogarth's art is extravagant, ruthless,...Author: Jenny Uglow
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