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https://americanart.si.edu/art/highlights/african-american
SAAM is home to one of the most significant collections of African American art in the world, with more than 2,000 works by more than 200 African American artists. These artworks span three centuries of creative expression in various media, including painting, sculpture, textiles, and photography, and represent numerous artistic styles, from ...
https://africa.si.edu/exhibitions/current-exhibitions/i-am/
Each diverse work of art comes from the permanent collection of the Smithsonian National Museum of African Art. Beginning in 2012, the museum launched the Women’s Initiative Fund to increase the profile of Africa’s women in the arts through exhibitions, publications, acquisitions, and …
https://www.routledge.com/African-Ethnographic-Studies-of-the-20th-Century/book-series/AES20
African Ethnographic Studies of the 20th Century. About the Series. Routledge is delighted to be re-issuing 79 volumes originally published between 1931 and 1988 in association with the International African Institute. Unavailable outside a few key libraries, many of these republished volumes were at the cutting edge of a fieldwork and ...
https://americanart.si.edu/exhibitions/african-american-2016
William H. Johnson, Man in a Vest, 1939-1940, Smithsonian American Art Museum, Gift of the Harmon Foundation The Smithsonian American Art Museum is home to an extraordinary collection of artworks by African Americans with more than 2,000 objects by more than 200 artists.Start Date: Aug 31, 2016
https://researchguides.library.wisc.edu/c.php?g=178217&p=1169415
May 16, 2020 · "Combining his painting skills with installation work, he comments on political and environmental affairs. The encroachment of the Sahel and the impact of AIDS on society and on individuals have been two major themes in his work. His questioning of the political, social, and economic scenes in contemporary Mali is evident in how AIDS, wars, ecological issues, human rights, and …Author: Emilie Songolo
https://www.cambridge.org/core/journals/african-studies-review/article/african-visual-arts-from-an-art-historical-perspective/232FE113E042EE6813F584476F3143E9
This overview assesses the study of sub-Saharan art by art historians in the United States, as a complement to the earlier examination by Paula Ben-Amos (1987) of African art studies from an anthropological perspective.
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