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https://www.afterall.org/article/artist-as-curator-symposium-keynote-by-elena-filipovic
Video documentation of the Afterall ‘Artist as Curator’ symposium. Introduction by Pablo Lafuente, Series Editor, Afterall Exhibition Histories, followed by keynote by Elena Filipovic. The history of art, since its beginnings, has been constructed as a discipline on the analysis of individual artist-geniuses and their autonomous objects and images, periodised chronologically and divided stylistically.
https://www.afterall.org/article/afterall_artist-as-curator_symposium-videos-online
On Saturday 10 November 2012, Afterall organised a symposium titled ‘Artist as Curator’ at Central Saint Martins College of Art and Design, London. After commenting upon the wide areas of practice encompassed by the topic, Elena Filipovic’s keynote lecture discussed how what we call an ‘exhibition’ has been transformed by artists from Marcel Duchamp and Yves Klein to Martha Rosler and David …
https://www.afterall.org/article/artist-as-curator-collaborative-practices-symposium-videos-online
The symposium followed and responded to the Afterall ‘Artist as Curator’ symposium (CSM, November, 2012) and reflected further upon the ‘artist as curator’ as a role that troubles traditional conceptions of exhibition-making. If we are to assume that exhibitions are the principal space where art meets its publics, and the key manner through which contemporary art is mediated and experienced, might we …
https://www.afterall.org/events/artist-as-curator
On Saturday 10 November 2012, Afterall is organising a symposium titled 'Artist as Curator' with speakers including Elena Crippa, Ekaterina Degot, Elena Filipovic, Alison Green, Ruth Noack, Willem de Rooij, Valerie Smith and David Teh.
https://www.afterall.org/article/_artist-as-curator_collaborative-practices_symposium_introduction
A welcome by Nicola Sim, Curator of Public Programmes, Whitechapel Gallery, followed by introduction, Ambra Gattiglia, MRes Art: Exhibition Studies at Central Saint Martins College of Art and Design as a part of the 'Artist as Curator: Collaborative Practices' symposium at …
https://curatingthecontemporary.org/2015/04/30/curator-as-artist-as-curator/
Apr 30, 2015 · In terms of contemplating the divergent roles of the artist as curator and the curator as artist, Chambre 763 demonstrates a conflict between the agency of the artwork and that of the exhibition. It can be said that we are more likely to remember the curator and his/her conceptual integrity, than the participant artists, thus artwork and artist are “subsumed by the identity of the whole …
https://magazine.artland.com/10-influential-curators-shaping-the-art-world-today/
The word “curator” comes from the Latin word curare, which means “to take care”.In Ancient Rome, curatores were in charge of overseeing the bathhouses, aqueducts and sewers.In Medieval times, the curatus was a priest devoted to the care of souls.By the 18 th century, the curator was the person looking after art collections and artifacts. And the development of the curator …
https://www.ganoksin.com/article/problem-artists-as-curators-and-critics/
The Artists as Curators and Critics. Fortunately, change is inevitable. Even for those individuals in the art establishment who assert that artists cannot and should not be active as curators or critics. This assertion is part of a traditional art would – one built on a foundation of hierarchies and exclusions that erode any modicum of power, control, influence, and authority that an individual artist has on or within …
https://arterritory.com/en/visual_arts/articles/18583-artist-as-curator
If an artist decides to manage a space, or to act as a curator, it becomes part of their artistic practice – and it does not necessarily have to interfere with curatorial tradition. Agata Melnikova and …
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