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https://www.wikiart.org/en/albert-pinkham-ryder
Albert Pinkham Ryder (March 19, 1847 – March 28, 1917) was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist.Birth place: New Bedford, Massachusetts, United States
https://americanart.si.edu/artist/albert-pinkham-ryder-4199
Ryder painted two versions of the Easter morning encounter of Christ with the Magdalene, another version of the Way of the Cross, the extraordinary Jonah, and many small seascapes. The latter are the work of a visionary and a romantic, one who sees all of nature within the purview of the Almighty, as is also the case in his Jonah.Born: Mar 19, 1847
https://www.artsy.net/artist/albert-pinkham-ryder
Find the latest shows, biography, and artworks for sale by Albert Pinkham Ryder
https://www.theartstory.org/artist/ryder-albert-pinkham/
Summary of Albert Pinkham Ryder. Albert Pinkham Ryder was the only American painter whose work was hung in the same gallery as the honoured European masters of the modern, Cézanne, van Gogh, Gauguin, Manet, at the landmark 1913 Armory Show in New York, the exhibition that virtually defined modern in art and introduced the term avant-garde into the way we talk about art. Yet Ryder's …Nationality: American
https://www.metmuseum.org/art/collection/search/486010
Having painted a series of dark landscapes inspired by the work of Albert Pinkham Ryder in 1909, Hartley returned to his American artistic hero late in his career. This highly imaginative portrait of Ryder is Hartley’s posthumous tribute to the painter, whose isolated, melancholy existence and financial poverty struck a sympathetic chord in him. In the portrait, Ryder appears frontal and isolated, like a saint or an …
https://www.metmuseum.org/art/collection/search/11981
Albert Pinkham Ryder American On view at The Met Fifth Avenue in Gallery 766 Ryder probably either selected or approved the title of this painting, which relates it to Victor Hugo’s famous 1866 novel of the same name (Les travailleurs de la mer, in the original French).
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