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https://www.amazon.com/Albrecht-D%C3%BCrer-His-Legacy-Renaissance/dp/0691114935
Albrecht Dürer is the most significant and admired artist of the northern Renaissance. Tracing his work and influence from his earliest career to his powerful posthumous role within German culture, this richly illustrated book surveys all of the artist's best-known prints as …Cited by: 14
https://www.amazon.com/Albrecht-Durer-His-Legacy-Renaissance/dp/B01F9G7LGA
Albrecht Durer and His Legacy: The Graphic Work of a Renaissance Artist by Giulia Bartrum (2002-12-03) on Amazon.com. *FREE* shipping on qualifying offers. Albrecht Durer and His Legacy: The Graphic Work of a Renaissance Artist by Giulia Bartrum (2002-12-03)4.8/5(7)
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Albrecht Dürer and his Legacy: The Graphic Work of a Renaissance Artist What rotten luck to be an artist born after Albrecht Dürer! Artists of the fifteenth century, especially printmakers, are forgiven technical inadequacies and creative shortcomings because Dürer had not yet forged the artistic path.
https://archive.org/details/albrechtdrerhi00bart
Feb 18, 2011 · Albrecht Dürer and his legacy : the graphic work of a Renaissance artist ... the graphic work of a Renaissance artist by Bartrum, Giulia; Grass, Günter, ... 2002 Topics Dürer, Albrecht, 1471-1528, Dürer, Albrecht, 1471-1528, Prenten, Tekeningen, British Museum, Invloed Publisher London : British MuseumPages: 326
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Albrecht Dürer and His Legacy: The Graphic Work of a Renaissance Artist Albrecht Dürer is the most significant and admired artist of the northern Renaissance.
https://www.studiointernational.com/index.php/albrecht-durer-and-his-legacy-the-graphic-work-of-a-renaissance-artist
If the present exhibition - Albrecht Dürer and his legacy: the graphic work of a Renaissance artist (5 December 2002–23 March 2003) - is anything to go by, this will be a superb year for exhibitions there.
https://www.theartstory.org/artist/durer-albrecht/
To his left stands an inscription in Latin that translates as "Thus I, Albrecht Dürer from Nuremberg, painted myself with enduring colors at the age of 28 years." During the Renaissance era the convention for portraits was to show the sitter in three-quarter view, mostly set within a realistic background.
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