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https://digital.library.unt.edu/ark:/67531/metadc84348/
Mar 31, 2005 · I consider Brener's use of the phrase "third world artist" in relation to the prevailing Western art critical terms "East" and "West." Finally, I examine Brener's controversial performance at the Stedelijk Museum in Amsterdam in relation to the Western art world as a system consisting of artists, critics, historians, and patrons.Author: Lisa Nersesova
http://cfront.org/cf00book/en/alexander-thirdworld-en.html
As you certainly know, the third world artist is a product of the first - advanced, capitalist - world, and it is a product of the second - socialist -, which collapsed and vanished in thin air. The third world artist is a kid, the fruit of a monstrous parental coitus, who has appeared on …
https://digital.library.unt.edu/ark:/67531/metadc84348/m1/7/
May 20, 2020 · 'Third World Artist': The Performance Art of Alexander Brener Page: 7 This paperpaperAuthor: Lisa Nersesova
https://core.ac.uk/display/281777863
Download PDF: Sorry, we are unable to provide the full text but you may find it at the following location(s): https://digital.library.unt.ed... (external link)Author: Lisa Nersesova
http://moscowartmagazine.com/issue/44/article/861
Aleksandr Brener uses the image of an artist of the third world precisely as an image of a subject without self-identification. From the point of view of the effectiveness of a political gesture, the exploitation of the figure of a “Russian artist” is not an attempt to address the “nationalist discourse” as a means of self-definition, as Degot’ and other liberal critics assert.
https://www.nytimes.com/2004/12/12/arts/design/art-attacks.html
Dec 12, 2004 · ALEXANDER BRENER -- At the Stedelijk Museum in Amsterdam in 1997, the Russian artist Alexander Brener sprayed a green dollar sign on Kasimir Malevich's "Suprematism 1920-1927" -- …
http://www.zingmagazine.com/zing4/reviews/24brener.html
Killing and terror became the main currency in economic and political life. So it wasn't too surprising to see an art scene that also had exchanged its brush for direct actions and aggression. Brener at that time was well known and respected for his verbally aggressive and Expressionist writings and poetry on women, sex, and the Moscow art world.
https://garagemca.org/en/research/russian-contemporary-art-in-the-1990s
This research initiative focuses on the 1990s as a significant turning point in contemporary art practices around the world, particularly in relation to the dramatic changes that happened to artists in Russia under perestroika. ... Alexander Brener with the participation of Lyudmila Brener, Meeting. Moscow, 1994 ... The Third Rome, May 24, 1989 ...
http://konsequenz.code-flow.net/html/konsequenz-cfront-ending-en.html
2 Alexander Brener, Third World Artist, 25 March 1998 http://www.cfront.org/cf00book/en/alexander-thirdworld-en.html. 3 Apologies to the “end” had something of a boom after 11 September 2001. 4 Viktor Pelevin, Generation ‘P’ (1999), translated from Russian by Andrew Bromfield, Faber and Faber (2000).
https://theculturetrip.com/europe/russia/articles/7-russian-performance-artists-who-have-more-fans-than-hollywood-actors/
Nov 20, 2017 · One of the earlier commentators on the Russian Federation, Brener is most well known for his 1995 performance, Yeltsin, come out, where he dressed up as a boxer, preparing for a fight and taunted Yeltsin to come out from the Kremlin. He has also attempted to have sex with his wife on the steps of one of the monuments to Pushkin, pretended to defecate on a Van Gogh painting, stapled the back of his neck during an exhibition at the Central House of Artists …
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