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Amanda Beech is an artist and writer based in Los Angeles.
https://calarts.edu/academics/bfa-general-education/faculty/amanda-beech
Amanda Beech is an artist and writer. Her work proposes a new realist politics of the artwork and its possibilities in the context of contingency and neo-rationalist conceptions of power.
https://www.urbanomic.com/contributor/amanda-beech/
Amanda Beech Amanda Beech is an artist and writer living in Los Angeles. Drawing from popular culture, critical philosophy, and real events, her work manifests in different media including critical writing, video installation, drawing, print, and sculpture.
http://www.montalvoarts.org/participants/amanda_beech/
Amanda Beech is an artist and writer living in Los Angeles. Using a range of compelling rhetorical and often dogmatic narratives and texts, Beech’s work poses questions and propositions for what a realist art can be in today’s culture; that is, a work that can articulate a comprehension of reality without the terminal mirror of a human ...
https://sfai.edu/events-calendar/detail/amanda-beech
Amanda Beech is an artist and theorist living in Los Angeles. Her artworks involve the media of video installation, drawing, print, and sculpture. Drawing from popular culture, critical philosophy, and real events, her work explores the condition of image-force and the question of a realist art …
https://www.spikeisland.org.uk/programme/exhibitions/amanda-beech/
Amanda Beech Amanda Beech (1972) is a London-based artist who makes artworks, writes and collaborates on curatorial projects. Her work explores the relationship between democracy and violence in neoliberalism by scrutinising the forceful rhetoric within narratives of freedom, which play out in philosophy, politics, literature and popular culture.
https://www.urbanomic.com/document/image-force-interview-with-amanda-beech/
Amanda Beech, still from Little Private Governments In that sense, the way that you construct the work tends to challenge the notion of art as critique—that art needs to reflect on itself in order to control and neutralize any rhetorical power it might spontaneously exercise over its audience.
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