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https://www.britannica.com/biography/Thomas-Eakins
Thomas Eakins, in full Thomas Cowperthwait Eakins, (born July 25, 1844, Philadelphia, Pennsylvania, U.S.—died June 25, 1916, Philadelphia), painter who carried the tradition of 19th-century American Realism to perhaps its highest achievement. He painted mainly portraits of his friends and scenes of outdoor sports, such as swimming and boating (e.g., Max Schmitt in a Single Scull, 1871).
https://americanart.si.edu/artist/thomas-eakins-1380
Thomas Eakins shared his era’s fascination with the individual human being—with his or her capacity for intellectual achievement, psychological intricacy, and vulnerability to the ravages of nature. Yet among painters of his time Eakins was unusual in that he expressed this interest directly. Other artists turned their attention to nature, as did the Impressionists and other late-nineteenth-century landscapists, spending a lifetime painting …Born: Jul 25, 1844
http://www.artnet.com/artists/thomas-eakins/
Thomas Eakins was an American artist known for his realist depictions of the human figure in both painting and sculpture. Utilizing pioneering photographic techniques and anatomical knowledge, Eakins often painted athletes in motion, including rowers, wrestlers, and swimmers.Nationality: American
https://www.thomaseakins.org/
Thomas Cowperthwait Eakins (July 25, 1844 - June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history.
https://www.metmuseum.org/art/collection/search/10810
Arcadia. ca. 1883. Thomas Eakins American. On view at The Met Fifth Avenue in Gallery 764. Like other academically trained American artists in the 1880s, Eakins explored classical themes but without the typical narrative contrivances and idealized models. Dating from the time of his appointment as director of the school of the Pennsylvania Academy of the Fine Arts, Eakins’s series of Arcadian works declared his commitment to the nude as the basis of art and art …
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