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https://en.wikipedia.org/wiki/American_modernism
Patrick Henry Bruce, Painting, oil on canvas, 23 3⁄4 × 36 3⁄8 " (60.3 × 92.4 cm)c. 1929–1930. Charles Rosen, Sidewheel in the Rondout, 1920's ( Precisionism ) There is no single date for the beginning of the modern era in America, as dozens of painters …
https://www.askart.com/art/Styles/17/y/Modernism
American Modernists represented a wide range of personal vision. There were painters such as Alfred Maurer (1868-1932), and John Marin (1870-1953), both deeply influenced by the bold, expressive colors of Matisse and the Fauvists. Another was Max Weber …
https://en.wikipedia.org/wiki/List_of_American_artists_1900_and_after
Laura Ann Jacobs (born 1960), sculptor and mixed media artist. MaPo Kinnord (born 1960), ceramic artist, sculptor, and educator. Glenn Ligon (born 1960), conceptual artist, all media; Sono Osato (born 1960), artist; Jack Pierson (born 1960), sculptor, photographer, other media; Lorna Simpson (born 1960), photographer
https://www.invaluable.com/blog/what-is-modernism/
Jun 30, 2020 · Modernism in art encompasses various techniques, styles, and media. However, the underlying defining principles hold true in art that emerged from the movement: a rejection of history and traditional concepts like realism, innovation and experimentation (shown in abstract shapes, colors, and lines), and an emphasis on new materials and techniques.
https://americanart.si.edu/artist/jacob-lawrence-2828
Modern American Realism: The Sara Roby Foundation Collection presents some of the most treasured artworks from the Smithsonian American Art Museum’s permanent collection, including works by Will Barnet, Isabel Bishop, Paul Cadmus, Arthur Dove, Nancy Grossman, Edward Hopper, Wolf Kahn, Ya
https://www.nytimes.com/2019/07/15/t-magazine/most-important-contemporary-art.html
Jul 15, 2019 · The roundtable panelists, from left to right: the Whitney Museum of American Art’s David Breslin, the artist Martha Rosler, the artist Torey Thornton, the Jewish Museum’s Kelly Taxter and the ...
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