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American Romanticism In Art

    https://www.webpages.uidaho.edu/engl_258/Lecture%20Notes/american_romanticism_in_art.htm
    American Romanticism In Art. Albert Bierstadt 1830-1902. Storm in the Rocky Mountains (Mount Rosa), 1886. Sunset in the Yosemite Valley, 1868. Emigrants Crossing the Plains, 1867. Emanuel Leutze (1816 - 1868) Washington Crossing the Delaware, 1851. Westward the Course of Empire Takes Its Way, 1861 (mural for US Capitol) Thomas Cole (1801-1848)

Romanticism - Important Art TheArtStory

    https://www.theartstory.org/movement/romanticism/artworks/
    This Romantic concept found its way into future depictions of the American landscape by the likes of other painters and photographers, including Ansel Adams. Oil on canvas - Metropolitan Museum of Art, New York New York 1840

Romanticism Definition, Characteristics, Artists ...

    https://www.britannica.com/art/Romanticism
    Feb 02, 2021 · Romanticism, attitude that characterized works of literature, painting, music, architecture, criticism, and historiography in the West from the late 18th to the mid-19th century. It emphasized the individual, the subjective, the irrational, the imaginative, the personal, the emotional, and the visionary.

What Is American Romanticism? · Hudson Valley Sublime ...

    https://omekalib.bard.edu/exhibits/show/hudson-valley-sublime-romantic/what-is-american-romanticism-
    American writers and painters of the Romantic era were pessimistic about Manifest Destiny’s all-consuming march towards the West, and later, the growth and industrialization of Mid-Atlantic cities. Writers like William Gilpin and Walt Whitman waxed poetic about the “course of Empire” that was causing the vice-ridden and ugly cities to ...

Romanticism in Art History From 1800-1880

    https://www.thoughtco.com/romanticism-art-history-183442
    Jul 28, 2019 · Romanticism was a type of reaction to Neoclassicism, in that Romantic artists found the rational, mathematical, reasoned elements of "classical" art (i.e.: the art of Ancient Greece and Rome, by way of the Renaissance) too confining. Not that they didn't borrow heavily from it when it came to things like perspective, proportions, and symmetry.

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