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https://www.theartstory.org/artist/anguissola-sofonisba/
Sofonisba Anguissola was the first female artist of the Renaissance to achieve international fame during her lifetime. She had the ability to create life-like, sophisticated portraits that were intellectually engaging and flattering at the same time.Nationality: Italian
https://www.britannica.com/biography/Sofonisba-Anguissola
Sofonisba Anguissola, (born c. 1532, Cremona [Italy]—died November 1625, Palermo), late Renaissance painter best known for her portraiture. She was one of the first known female artists and one of the first women artists to establish an international reputation.
https://www.theartstory.org/artist/anguissola-sofonisba/artworks/
Through her paintbrush Anguissola has transformed a mundane, everyday interaction between sisters into drama. She used the scene to depict a number of artistic genres and skills including landscapes, fabric textures, and the human face at different stages of life, perhaps to highlight the scope of her talent.
https://smarthistory.org/sofonisba-anguissola/
Sofonisba Anguissola was an artist who came from a noble family in Cremona (northern Italy). She is well known for the paintings she made of herself and her family (she was the oldest of seven children).
https://www.wikiart.org/en/sofonisba-anguissola/
Sofonisba Anguissola (c. 1532 – 16 November 1625), also known as Sophonisba Angussola or Anguisciola, was an Italian Renaissance painter born in Cremona to a relatively poor noble family.Birth place: Cremona, Lombardy, Italy
https://joyofmuseums.com/artists-index/sofonisba-anguissola/
Sofonisba Anguissola (1532 – 1625) was an Italian Renaissance painter born in Northern Italy, to a relatively poor noble Genoese family. She received a well-rounded education that included the fine arts, and her apprenticeship with local painters set a precedent for women to be accepted as students of art.
https://www.artlovingitaly.com/sofonisba-anguissola-italy-novel-michelangelo-vasari/
Oct 13, 2020 · Typically, men were seen as creative actors and women as passive objects. Still, in her self-portrait of 1556, Anguissola presents herself again as the artist, and the subject — actively playing a musical instrument. Self-portrait of Sofonisba Anguissola.
https://www.amazon.com/Sofonisba-Anguissola-First-Artist-Renaissance/dp/0847815447
Anguissola was erased from the annals of art history for four centuries, but Perlingieri's exhaustive archival research reestablishes her as a force in the creation of 16th-century art. Her resurrection is cause for rejoicing, but it also forces us to consider the injustice of …Cited by: 9
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