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https://www.hollins.edu/175th-anniversary/distinguished-graduates/annette-polan/
Annette Polan. Polan studied at the Tyler School of Art, Corcoran College of Art and Design, and École du Louvre. A noted instructor of contemporary American portraiture, she painted the official portraits of Justice Sandra Day O’Connor and former West Virginia Governor Gaston Caperton, among others. She was chair and founder of Faces of the Fallen, an exhibition of 1,323 portraits by 230 American artists …
https://www.askart.com/artist/Annette_Polan/135757/Annette_Polan.aspx
Annette Polan earned a BA in Art History from Hollins College, and then did graduate work at the Ecole du Louvre, the Tyler School of Art, and the Corcoran College of Art and Design. Ms. Polan is currently a professor of art specializing in portraiture, has taught and lectured internationally and is a participant in the US Department of State's Art in Embassy Program.
https://mobile.askart.com/artist/Annette_Polan/135757/Annette_Polan.aspx
askART artist summary of Annette Polan. Annette Polan (Born 1944) is active/lives in District Of Columbia, West Virginia. Annette Polan is known for Portraits-notables, drawing, illustrator.
https://www.foresthillsconnection.com/news/meet-your-neighbors-annette-polan-artist-activist/
Apr 28, 2014 · Annette Polan’s entire career has been in the arts and in arts education and she has taught and exhibited on almost every continent. And she considers herself very fortunate to have made a career and a living from studio art. “I could have been content in Art History,” she says. “But things wouldn’t have worked out the same way.
https://www.foresthillsconnection.com/news/meet-your-neighbors-update-artist-annette-polan/
Sep 12, 2017 · Polan has begun a portrait of Shanti Norris, the director of the Smith Center for Healing and the Arts. Recently, Polan won an Art Cart grant from Columbia University’s Research Center for Arts and Culture for documenting and archiving her large body of work. The grant will provide software and the assistance of an intern to archive 1,000 pieces of Polan’s art.
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