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http://www2.tate.org.uk/artistplacementgroup/
The Artist Placement Group (APG) emerged in London in the 1960s. The organisation actively sought to reposition the role of the artist within a wider social context, including government and commerce, while at the same time playing an important part in the history of conceptual art …
https://en.contextishalfthework.net/about-apg/artist-placement-group/
The Artist Placement Group (APG) initiated and organised ‘placements’ for artists in industry or public institutions, where artists researched, worked on projects and realised art works. They made the case for the mutual benefit of the artists’ presence in organisations. Artistic practice and knowledge would no longer be confined to the studio and the gallery, but their field of activity ...
https://www.tate.org.uk/artistplacementgroup/chronology.htm
The APG meets with the EAT (Experiments in Art & Technology), a different artist group whose mandate centres around collaborating with corporations to improve industrial and artistic fabrication.
https://www.tate.org.uk/artistplacementgroup/bibliography.htm
'Artist Placement Group: Art as a Collective Project', Kunstforum International, no. 27, pp. 72-99. Artist Placement Group, Whitechapel Gallery, exhibition catalogue, London.
https://barbarasteveni.org/Work-APG-Artist-Placement-group
A year later the Artist Placement Group (APG) was officially launched by Steveni, John Latham, Barry Flanagan, David Hall, Anna Ridley and Jeffrey Shaw.
https://www.frieze.com/article/artist-placement-group
When the Artist Placement Group (APG) was founded in London in 1966, by Barbara Steveni in collaboration with her then partner John Latham, it wasn’t the question of labour’s immateriality, but Conceptualism’s radical critique of the materiality of the art object that framed their experimental investigation into the potential for new relationships between art and industry.
https://www.artistpg.com/
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http://infopool.antipool.org/APG.htm
For John Latham and Barbara Steveni of the Artist Placement Group (APG - renamed in 1989 as O+I), the potential disappearance of the art object was not an occasion for mourning but an ongoing continuation of attempts to give art a purpose 'outside' its immediate and overly obvious remit in the art institutions of gallery and museum.
http://www.ravenrow.org/pdf/42/rr_apg_final_spreads
Artist Placement Group, or APG, was instigated in 1965 by Barbara Steveni. It was founded a year later by Steveni and her then partner John Latham, along with Anna Ridley and artists Barry Flanagan, David Hall and Jeffrey Shaw.
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