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https://xcessmusic.com/2019/04/12/the-artistic-works-and-careers-of-judith-leyster-and-artemisia-gentileschi-against-the-masculine-predominance-in-the-field-of-arts/
Apr 12, 2019 · During their lives, they both had to fight against a sexist society, which did not believe women could become great artists. While female artists have been involved in making art throughout history, their work often has not been as well acknowledged as that of men.
http://visual-arts-cork.com/famous-paintings/judith-beheading-holofernes.htm
Gentileschi used herself as the model for Judith, and Tassi as the model for Holofernes. Quite unlike the anodyne, almost effortless, assault portrayed in Caravaggio's version of the event, Gentileschi creates a far more violent and graphic scene, dramatizing the intense physical effort required on the part of Judith and her maid to kill their enemy, as he fights for his life.
https://artherstory.net/artemisia-gentileschi-bio/
Artemisia Gentileschi was among the first female members of the Accademia di Arte del Disegno in Florence. She had an international clientele, including members of the Medici house, and Charles I of England. Early in her career, she survived not only the trauma of abuse at the hands of a teacher, but also the trauma of the subsequent public trial. She, like her painter father Orazio ...
https://en.wikipedia.org/wiki/Artemisia_Gentileschi
Because Artemisia returned again and again to violent subject matter such as Judith and Holofernes, a repressed-vengeance theory has been postulated by some art historians, but other art historians suggest that she was shrewdly taking advantage of her fame from the rape trial to cater to a niche market in sexually charged, female-dominated art for male patrons.
https://www.theartstory.org/blog/artemisia-gentileschi-the-long-road-to-recognition/
To illustrate, Judith Beheading Holofernes (1620), Gentileschi’s most famous ‘revenge work’, and possibly her most famous artwork in general, has been recurrently interpreted as a product of her rape. Art historians have envisioned Artemisia in the guise of Judith, enacting her violent revenge on her rapist Agostino Tassi, who, assuming the character of Holofernes, meets his untimely death by sword.
http://employees.oneonta.edu/farberas/arth/arth200/artist/cons_fem_art_id.htm
From the seventeenth century we have an increasing number of known examples of women who had careers as artists. Self portraits became a way for women artists to articulate their identities as artists. Two notable examples are Artemisia Gentileschi's Self Portrait as the Allegory of Painting and Judith Leyster's Self Portrait (c. 1635)
https://www.thoughtco.com/artemisia-gentileschi-art-biography-4571308
Dec 02, 2019 · Career as a Painter . Gentileschi achieved great success in her lifetime—a rare degree of success for a female artist of her era. An incontestable example of this is her admittance to the prestigious Accademia del Disegno, founded by Cosimo de Medici in 1563.As a member of the guild, Gentileschi was able to purchase paints and other art materials without the permission of her …
https://www.widewalls.ch/magazine/famous-female-renaissance-artists/judith-leyster
Jan 09, 2018 · A Dutch Golden Age painter, Judith Leyster painted genre works, portraits and still lifes. A truly remarkable artist, she painted energetic scenes with one or two figures engaged in merrymaking, such as music, dance and games. She was also very innovative in her domestic genre scenes, often depicting quite scenes of women at home.
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