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https://academic.oup.com/oaj/article/28/3/347/1417892
That these were linked to the art world made these collective actions of the 1930s some of the most obvious, if timely, aspects of Smith's exploration of the relationship between artist and worker. Smith's first membership in a significant artist-led collective came in April 1934 when he joined the Artists' Committee for Action for the Municipal Art Gallery and Center (ACA). 4 In 1935, Smith was among the 114 artists who signed the ‘Call for an American Artists’ …
https://www.jstor.org/stable/4500027
David Smith (Fig. 1) was an artist who thought of himself as a worker. The acknowledgment of this fact has the potential to reshape responses to his art, encourage a rethinking of the choices he made in his career, and bring much needed attention to the role politics played in his life. As the epigraph to this
https://www.theartstory.org/artist/smith-david/life-and-legacy/
Smith's work was a direct and formative inspiration for the British sculptor Anthony Caro. His innovative approaches to composition - particularly the way the motifs and forms in his sculptures sometimes seem to be scattered and dispersed - were also important for other 1960s sculptors such as Mark di Suvero and David von Schlegell .
https://www.theartstory.org/artist/smith-david/
Summary of David Smith. Among the greatest American sculptors of the 20 th century, David Smith was the first to work with welded metal. He wove a rich mythology around this rugged work, often talking of the formative experiences he had in his youth while working in a car body workshop. Yet this only disguised a brilliant mind that fruitfully combined a range of influences from European modernism …Nationality: American
https://www.britannica.com/biography/David-Smith
Mar 05, 2021 · Smith was never trained as a sculptor, but he learned to work with metal in 1925, when he was briefly employed as a riveter at the Studebaker automobile plant in South Bend, Indiana. Dropping out of college after his first year, he moved to New York City and, while working variously as a taxi driver, salesman, and carpenter, studied painting under John Sloan and the Czech abstract painter Jan …
https://www.hauserwirth.com/ursula/15600-david-smith-origins-innovations-artists-words
—David Smith, interview with Thomas B. Hess, 1964. Unity was a central theme for Smith. And for him, unity, as well as meaning, was accessed most powerfully in a work of art visually. Through the act of making art, Smith expressed his deep need for connection.
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