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https://monoskop.org/images/8/87/Foster_Hal_1995_The_Artist_as_Ethnographer.pdf
The Artist as Ethnographer? Hal Foster My title is meant to evoke "The Author as Producer," the text of which Walter Benjamin first presented at the Institute for the Study of Fascism in Paris in April 1934. There, under the influence of Berthold Brecht and Russian revolutionary
http://csmt.uchicago.edu/annotations/fosterartist.htm
Chapter 6 of his book, “The Artist as Ethnographer,” deals specifically with what Foster dubs the “ethnographic turn” in art of since the 1960s. Foster’s argument is in part guided by his opening reference to Walter Benjamin’s “The Artist as Producer.”
https://calculatedvandalism.wordpress.com/2018/07/08/the-artist-as-ethnographer/
Jul 08, 2018 · Hal Foster . This essay, written in 1995, highlighted a relationship between the conventions / values of ethnography and of an art practice. Foster examines how an artist working in the name of the cultural or ethnographic other is at odds with the elitist institution of autonomous art.
https://pdflibrary.files.wordpress.com/2008/02/artistethnographer.pdf
304 HAL FOSTER THE ARTIST AS ETHNOGRAPHER?305 medm absorb everything in pure malevolence (indeed we know they cannot). Rather my concern is with the shhral &ch of the realist assumption in political, here quasi-anthropologicd, art, in particular with its siting of political truth in a projected alrerity. I mentioned the problem of automatic coding of artists I&-A+vis
https://www.tate.org.uk/art/art-terms/v/visual-ethnography
The theorist Hal Foster argued that visual ethnography emerged as a debate in art in the 1960s, thanks to the rise of performance art and social movements like feminism. It was no longer possible to describe audiences as simply observers, just as it was no longer possible to describe the institutions in which the art was shown in terms of space.Estimated Reading Time: 50 secs
https://www.ibraaz.org/essays/11
Jun 01, 2011 · Hal Foster, 'The Artist as Ethnographer?' From the flurry of interest emanating from exhibitions, publications, and other initiatives since September 11, anthropologist Kirsten Scheid infers that 'all signs suggest an imminent flourishing in the study of contemporary Arab art'. I
https://www.jstor.org/stable/1320980
the recent shift in contemporary art, which Hal Foster (1999) calls the "artist as ethnographer." This turn to ethnography by artists signals the current epistemological shifts in art from the artists as object makers to artists as "facilitators, educators, coordinators and bureaucrats" (Kwon,
https://bio-diversity.info/hal-foster-artist-as-ethnographer-97/
May 07, 2020 · Reading: Hal Foster: The Artist as Ethnographer. Some Key Points: Assumption that the site of artistic transformation is the site of political. This paper calls for an ethnographic turn in art scholarship that It has been almost twenty years since the publication of Hal Foster’s.Estimated Reading Time: 6 mins
https://dieutridalieu.info/hal-foster-artist-as-ethnographer-33/
Apr 11, 2020 · Reading: Hal Foster: The Artist as Ethnographer. Some Key Points: Assumption that the site of artistic transformation is the site of political. This paper calls for an ethnographic turn in art scholarship that It has been almost twenty years since the publication of Hal Foster’s.
https://www.tandfonline.com/doi/abs/10.1080/02560046.2017.1345973
ABSTRACT. Twenty-one years after Hal Foster identified what he terms the “ethnographic turn in contemporary art”, it may be argued that art which has similarities with ethnography in its focus on representation of cultural difference and issues of sociopolitical change has become accepted practice in the global art arena.
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