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https://www.amazon.com/Point-which-creation-begins-Artists/dp/1883982510
As artists created collectives in major urban centers like Los Angeles, Chicago, Detroit and New York, this "Black Arts Movement" (BAM) flourished from the mid-1960's through the 1970's. St. Louis was home to one such collective, the Black Artists' Group (BAG) from 1968 to 1972. BAG was not the best-known BAM collective, nor the longest lived.Cited by: 15
https://www.allaboutjazz.com/point-from-which-creation-begins-the-black-artists-group-of-st-louis-by-aaj-staff.php
It was a fundamentally proactive group forged from and located within St. Louis's African American community. Among the musical members of the BAG: Hamiet Bluiett, Oliver Lake , and Julius Hemphill, who led numerous projects and eventually formed the BAG's most prominent and longest-lasting legacy, the World Saxophone Quartet, with David Murray.
https://academic.oup.com/jah/article-abstract/92/4/1514/743374
Mar 01, 2006 · This historical study examines the influential, local St. Louis, Missouri, black arts movement organization known as the Black Artists' Group (bag), which was created in 1968 and lasted until 1972. Benjamin Looker develops seven chapters and an epilogue in his book on the bag by acknowledging the historical importance of black music and the arts to St. Louis and the nation from …Author: Julius E. Tompson
https://press.uchicago.edu/ucp/books/book/distributed/P/bo8718200.html
The book Point from which creation begins: The Black Artists’ Group of St. Louis, Benjamin Looker is published by Missouri Historical Society Press.
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https://www.worldcat.org/title/point-from-which-creation-begins-the-black-artists-group-of-st-louis/oclc/977744513
Summary: "From 1968 to 1972, St. Louis was home to the Black Artists' Group (BAG), a seminal arts collective that nurtured African American experimentalists working in theater, visual arts, dance, poetry, and jazz." "This book narrates the group's development against the backdrop of St. Louis spaces and institutions, examines work by its major artists, and follows the collective's musicians in their eventual …
https://books.google.com/books/about/BAG.html?id=fhTjK01tcEwC
These impulses resonated with BAG's founders, who sought to raise black consciousness and explore the far reaches of interdisciplinary performance—all while struggling to carve out a place within...
https://source.wustl.edu/2006/02/rediscovering-the-black-artists-group/
In St. Louis, the Black Artists’ Group (BAG), which flourished between 1968 and 1972, gave rise to a host of nationally recognized figures, including Oliver Lake, Julius Hemphill and Hamiet Bluiett of the World Saxophone Quartet; trumpeter Baikida Carroll; painters Emilio Cruz and Oliver Jackson; and stage directors Malinké (Robert) Elliott and Muthal Naidoo.
https://archive.org/details/pointfromwhichcr00benj
"This book narrates the group's development against the backdrop of St. Louis spaces and institutions, examines work by its major artists, and follows the collective's musicians in their eventual move to Paris and on to New York, where they played a leading role in …
https://en.wikipedia.org/wiki/Black_Artists_Group
The Black Artists Group (BAG) was a multidisciplinary arts collective that existed in St. Louis, Missouri, from 1968 to 1972. BAG is known for the convergence of free jazz and experimental theater. BAG is known for the convergence of free jazz and experimental theater.
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