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https://www.biography.com/artist/el-greco
Sep 18, 2019 · El Greco was born around 1541 in Crete, which was then part of the Republic of Venice. In his mid-twenties, he traveled to Venice and studied under Titian, who was the most renowned painter of …
https://www.theartstory.org/artist/el-greco/life-and-legacy/
Biography of El Greco Childhood. Doménikos Theotokópoulos was born in 1541 in Crete, a Greek island that was part of the thriving Republic of Venice. Little is known of his childhood, other than the fact that he chose to be an artist at a very young age. Education and Early training. In his hometown, Theotokópoulos trained as an icon painter.
https://www.britannica.com/biography/El-Greco
El Greco, byname of Doménikos Theotokópoulos, (born 1541, Candia [Iráklion], Crete—died April 7, 1614, Toledo, Spain), master of Spanish painting, whose highly individual dramatic and expressionistic style met with the puzzlement of his contemporaries but …
https://www.el-greco-foundation.org/biography.html
Born in 1541 in either the village of Fodele or Candia (the Venetian name of Chandax, present day Heraklion) in Crete, El Greco was descended from a prosperous urban family, which had probably been driven out of Chania to Candia after an uprising against the Venetians between 1526 and 1528.
https://www.vangoghgallery.com/artistbios/El_Greco.html
El Greco. Domenico Theotocopuli, the last and most inspired of the Mannerists, was born in Crete, where he received his early training in the Byzantine style. Theotocopuli is presumed to have left Crete in about 1560 for Venice where he probably studied with Titian as …
https://www.theartstory.org/artist/el-greco/
Biography of El Greco Doménikos Theotokópoulos was born in 1541 in Crete, a Greek island that was part of the thriving Republic of Venice. Little is known of his childhood, other than the fact that he chose to be an artist …Nationality: Greek-Spanish
https://www.metmuseum.org/toah/hd/grec/hd_grec.htm
El Greco is one of the few old master painters who enjoys widespread popularity. Like Vermeer, Piero della Francesca, and Botticelli, he was rescued from obscurity by an avid group of nineteenth-century collectors, critics, and artists and became one of the select members of the modern pantheon of great painters.
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