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https://www.britannica.com/art/Pre-Raphaelite-Brotherhood
The Pre-Raphaelite Brotherhood was formed in 1848 by three Royal Academy students: Dante Gabriel Rossetti, who was a gifted poet as well as a painter, William Holman Hunt, and John Everett Millais, all under 25 years of age.
https://www.theartstory.org/movement/pre-raphaelites/
Dante Gabriel Rossetti was an English poet, illustrator, and painter who cofounded the Pre-Raphaelite Brotherhood. Rossetti was famous for his paintings of medieval subjects, nature, and women, and his relationships with the models who sat for them. William Holman Hunt. Quick view Read more.
https://www.telegraph.co.uk/art/artists/meghan-pre-raphaelite-art-history-behind-sussexes-pregnancy/
Above all, though, Harriman’s image makes me think of the Pre-Raphaelites, that 19th-century “brotherhood” of artists influenced by the emergence of photography, and specifically John Everett...
https://www.tate.org.uk/art/art-terms/p/pre-raphaelite
Sir John Everett Millais, Bt. Ophelia 1851–2. Tate. The name Pre-Raphaelite Brotherhood referred to the groups’ opposition to the Royal Academy’s promotion of the Renaissance master Raphael. They were also in revolt against the triviality of the immensely popular genre painting of time. Inspired by the theories of John Ruskin, who urged artists to ‘go to nature’, they believed in an art of serious subjects treated …
https://www.identifythisart.com/art-movements-styles/pre-modern-art/pre-raphaelite-art-movement/
Mar 06, 2021 · Most of the Pre-Raphaelite characters are women whose beauty is based on real-life mistresses and models of the English painter Dante Gabriel Rossetti. He was the founder of the Pre-Raphaelite Brotherhood, a secret art society.
https://smarthistory.org/a-beginners-guide-to-the-pre-raphaelites/
The Pre-Raphaelites decided to make their debut by sending a group of paintings, all bearing the initials “PRB”, to the Royal Academy in 1849. However, Rossetti, who was nervous about the reception of his painting The Girlhood of Mary Virgin , changed his mind and instead sent his painting to the earlier Free Exhibition (meaning there was no jury as there was at the Royal Academy).
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