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https://jwa.org/encyclopedia/article/wilke-hannah
“Artist Hannah Wilke Talks with Ernst.” Oasis d’Neon 1, nos. 1 and 3 (1979): 1–5; Broude, Norma, and Mary D. Garrard, eds. Power of Feminist Art (1994); Frueh, Joanna. Hannah Wilke: A Retrospective. Edited by Elisabeth Delin Hansen, Kirsten Dybbøl, and Donald Goddard. Copenhagen: Nikolaj, Copehnagen Contemporary Art Center, 1988.
https://www.academia.edu/16833314/The_art_of_Hannah_Wilke_Feminist_Narcissism_and_the_reclamation_of_the_erotic_body
In her 1978 interview “Artist Hannah Wilke Talks with Ernst” the artist unapologetically spoke of the “ethics of ambiguity”18 that characterized both her work and life. She addressed, in her honest and unmediated manner, the conflicted views of a woman who, though conscious of feminism, still felt concerned with her appearance and desirability to men.
https://www.alisonjacquesgallery.com/exhibitions/108/works/artworks8890/
and "Artist Hannah Wilke talks with ernst":) "To also remember that as a Jew, during the war, I would have been branded and buried had I not been born in America. Starification-Scarification ... Jew, Black, Christian, Muslim ... Labeling people instead of listening to them ... Judging according to primitive prejudices. "Marxism and Art".
http://hannahwilke.com/id14.html
"Artist Hannah Wilke Talks with Ernst," Oasis de Neon, 1978. "Hannah Wilke in Conversation with Ruth Iskin," Visual Dialogue , Los Angeles, 1977 "Hannah Wilke: Sexy Objects, " interview with Lil Picard, Andy Warhol's Interview, #29, 1973.
https://jwa.org/encyclopedia/article/cohen-helen-louise
“Artist Hannah Wilke Talks with Ernst.” Oasis d’Neon 1, nos. 1 and 3 (1979): 1–5; Broude, Norma, and Mary D. Garrard, eds. Power of Feminist Art. New York: Harry N. Abrams Inc., 1994. Frueh, Joanna. Hannah Wilke: A Retrospective. Edited by Elisabeth Delin Hansen, Kirsten Dybbøl, and Donald Goddard.
https://www.alisonjacquesgallery.com/exhibitions/6/works/artworks8862/
As Wilke insisted, these mark her body in its contingency and woundedness as "feminine" but also as ethnically scarred: (Wilke from "Intercourse with..." and "Artist Hannah Wilke talks with ernst":) "To also remember that as a Jew, during the war, I would have been branded and buried had I not been born in America. Starification-Scarification ...
https://www.newyorker.com/goings-on-about-town/art/hannah-wilke
Hannah Wilke This career-spanning exhibition, aptly titled “Force of Nature,” emphasizes the indelible mark on feminist art left by this American artist, who died in 1993, at the age of fifty-two.
https://www.alisonjacquesgallery.com/exhibitions/6/works/artworks8889/
Hannah Wilke Untitled (Single Gum Sculpture) , c. 1975 Gum in plexiglas box 6.4 x 6.4 x 2.5 cms / 2 1/2 x 2 1/2 x 1 ins
https://www.artlyst.com/whats-on-archive/hannah-wilke/
Sep 27, 2018 · An exhibition spanning three decades of the American painter, sculptor, photographer, video and performance artist Hannah Wilke (1940 – 1993), in partnership with The Hannah Wilke Collection and Archive, Los Angeles. Wilke’s firm legacy as a pioneering, often controversial, feminist and conceptual artist is evident not only in her early use ...
https://www.alisonjacquesgallery.com/exhibitions/6/works/artworks8896/
As Wilke insisted, these mark her body in its contingency and woundedness as "feminine" but also as ethnically scarred: (Wilke from "Intercourse with..." and "Artist Hannah Wilke talks with ernst":) "To also remember that as a Jew, during the war, I would have been branded and buried had I not been born in America. Starification-Scarification ...
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