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Kenojuak Ashevak The Canadian Encyclopedia

    https://www.thecanadianencyclopedia.ca/en/article/kenojuak-ashevak
    Kenojuak Ashevak Ashevak is perhaps the best-known Inuit artist because of her famous print The Enchanted Owl (1960), which was featured on a Canada Post stamp. She was also the first woman to become involved with the newly established printmaking shop at Cape Dorset.

Kenojuak Ashevak - 5 Artworks, Bio & Shows on Artsy

    https://www.artsy.net/artist/kenojuak-ashevak
    Biography A pioneer of modern Inuit art, Kenojuak Ashevak played a large role in bringing such work to the world stage.Nationality: Inuit

Kenojuak Ashevak — DORSET FINE ARTS

    http://www.dorsetfinearts.com/kenojuak-askhevak/
    Kenojuak Ashevak was one of Canada’s most acclaimed graphic artists. Her long list of achievements and honours is surpassed only by her stamina and good humour. Born on south Baffin Island at a camp area known as Ikirisaq, Kenojuak grew up traveling from camp to camp on south Baffin and in Arctic Quebec (Nunavik).

Kenojuak Ashevak Artnet

    http://www.artnet.com/artists/kenojuak-ashevak/
    Kenojuak Ashevak was a celebrated Canadian Inuit artist. Her drawings and prints, comprised of simple, stylized motifs and coded symbols of Inuit culture and folklore, brought her international acclaim. “There is no word for art,” she once said. “We say it is to transfer something from the real to the unreal.Nationality: Inuit

Kenojuak Ashevak Traditional Inuit Sculptor and Artist

    https://feheleyfinearts.com/artists/kenojuak-ashevak/
    Kenojuak Ashevak (1927–2013) created some of the most iconic and instantly recognizable images in Canadian art. While she worked in sculpture, Ashevak is best known for her entrancing graphic works including drawings and prints.

Kenojuak Ashevak – Native Art Prints

    https://nativeartprints.com/collections/kenojuak-ashevak
    Kenojuak Ashevak is perhaps the best-known Inuit artist -- in Canada, and indeed worldwide. She learned to paint while hospitalized from 1952 to 1955 in Quebec City. After returning home, James Houston – the federal government’s administrator for Nunavut – encouraged her to continue carving and painting with her husband.

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