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https://www.moma.org/audio/playlist/21/427
Walid Raad: A few years ago, in November 2007 to be precise, I started a project on the history of the arts in the Arab world. I remember the month precisely because I had received a phone call around the same time from a woman whose name is November. November calls me and asks me whether I'm interested in joining a retirement plan just for artists, something she called the Artist Pension Trust.
https://theseenjournal.org/walid-raad-moma/
Over the course of thirty-five minutes, the charismatic artist paces around the gallery describing his findings over the past eight years, beginning with an investigation of the Artist Pension Trust, or APT. Raad first stands in front of a large wall covered in arching info-graphics, including lists of names, cut out faces and faces cut out, with a projector highlighting details and overlaying infomercial imagery.
https://www.thecrimson.com/article/2012/3/6/walid_raad/
Walid Raad now lives in New York and is deeply interested in the intersections between memory and history and between fiction and reality. ... Other stories about the Artist Pension Trust, “the ...
https://www.metro.us/five-things-to-know-about-the-icas-new-walid-raad-exhibit/
It starts with Raad’s invitation to the Artist Pension Trust (APT), which is an institute that offers select artists a contract to create 20 works of art in 20 years.
http://www.randian-online.com/np_review/truth-or-fiction-does-it-matter-walid-raad-at-moma/
“Translator’s Introduction: Pension arts in Dubai” displays Raad’s research into the Artist Pension Trust (APT), a private art investment company. Snaking notes drawn and printed on the wall create the image of contemporary capital—omnipresent, impossible to trace.
https://www.artnews.com/art-in-america/features/walid-raad-57187/#!
Nov 05, 2015 · Lebanese-born artist Walid Raad's precise archival aesthetic belies his core concern: the limits of documentation to represent the psychic effects of war and trauma. His retrospective at MoMA ...
https://www.e-flux.com/journal/69/60594/walid-raad-s-spectral-archive-part-i-historiography-as-process/
Origin stories are purposefully obscured in all of Raad’s work, but one impetus for Scratching on things I could disavow appears to have occurred in 2007 when Raad was asked to join the Artist Pension Trust—an entrepreneurial retirement plan for artists. Curious as much about the economics of the plan as he was about the two hundred and fifty artists from the Middle East who had been invited to participate, Raad …
http://www.caareviews.org/reviews/2839
Nov 30, 2016 · As Raad describes it, this constellation of projects is an endeavor to think through recent “encounters” of his own: “an invitation to join the Dubai branch of the Artist Pension Trust; the development of Saadiyat Island in Abu Dhabi; the opening of the Sfeir-Semler Gallery in Beirut” and a “two-year exploration of the Louvre’s newly established Département des arts de l’Islam” (110).
https://www.e-flux.com/journal/48/60038/walkthrough-part-i/
Walid Raad is an artist and an Associate Professor of Art in The Cooper Union (New York, USA).Raad’s works include The Atlas Group, a fifteen-year project between 1989 and 2004 about the contemporary history of Lebanon, and the ongoing projects Scratching on Things I Could Disavow and Sweet Talk: Commissions (Beirut). His books include The Truth Will Be Known When The Last Witness Is Dead ...
https://www.artmarketmonitor.com/2013/10/13/big-data-and-the-art-world-mutual-art/
Oct 13, 2013 · October 13, 2013 by Marion Maneker. Walid Raad peels back the onion of Artist’s Pension Trust and it’s parent Mutual Art, the operator of MutualArt.com, to reveal the big data operation being assembled. Artsy has received a lot of press for its art genome project but here Raad meets Moti Schniberg, the man behind Mutual Art and gets a lesson in how the firm is modeling the art market for …
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