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https://books.google.com/books/about/Being_an_Artist_in_Post_Fordist_Times.html?id=D1dKAQAAIAAJ
In an essay included in this volume, the Italian philosopher Paolo Virno argues that the arts have become a component of what he calls the post-Fordist production process, and have consequently sacrificed what little autonomy from consumerism they may previously have had. Exploring this assertion, the authors gathered in Arts in Society consult high-profile international figures from various ...
https://www.amazon.com/Arts-Society-Being-Aritist-Post-Fordist/dp/9056627112
Mar 31, 2010 · Arts in Society: Being an Aritist in Post-Fordist Times [Gielen, Pascal, De Bruyne, Paul] on Amazon.com. *FREE* shipping on qualifying offers. Arts in Society: Being an Aritist in Post-Fordist Times ... Arts in Society makes a provocative and realistic portrait of art's relation with economic, political and ecological realms, constructing a ...
https://epiqih.files.wordpress.com/2014/07/being-an-artist-in-post-fordist-times.pdf
Being an artist in post-Fordist times Pascal Gielen, Paul de Bruyne 208 pages Tom Judd's past is clouded in awkward memories, unfulfilled dreams, and hate. For him, becoming a man is all about remembering the boy he was and learning why he wasn't the boy. The Prospectus Directive of 4
https://formerwest.org/ResearchLibrary/BeinganArtistinPostFordistTimesArtsinSociety
Being an Artist in Post-Fordist Times (Arts in Society) Pascal Gielen and Paul De Bruyne NAi Publishers 2009 ISBN 9789056627119. A compilation of texts by artists, theorists, and other writers who explore the ways in which artistic production and post-Fordist production have become intertwined in the contemporary age and consider what the place ...
https://eprints.utas.edu.au/15180/
Gielen, P 2012, Pascal Gielen - Being an artist in post-Fordist times - Artistic strategies in post-Fordist times (Art Forum).Author: P Gielen
https://archive.ica.art/whats-on/art-post-fordism
Dec 08, 2009 · Art & Post-Fordism 8 Dec 2009 In recent times, the culture industry has capitalised on the work ethic of the art world – its ever-youthful energy, allure of freedom, flexible working hours, short-term or lack of contracts – and converted it into a standard production model.
https://www.narcis.nl/publication/RecordID/oai%3Acris.maastrichtuniversity.nl%3Apublications%2F6c528b75-aa8c-4c74-bcc6-009839e88f74
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