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https://sites.duke.edu/blackatlantic/2014/02/11/the-slave-trade-in-silhouette/
Feb 11, 2014 · Using the medium of the paper cut silhouette Walker alludes to the 18th century bourgeois elite that popularized the art form and, in doing so, creates a collision of juxtaposed ideas: rather than the paper-cut silhouette telling the story of privilege it tells the story of what the elite, or the oppressor, did throughout slavery. The pastoral placidity of silhouettes exist in stark contrast to the images that regale the viewer with vicious, disruptive images of slavery, …
https://www.artsy.net/artwork/kara-walker-slavery-slavery-with-signed-foldout-1
Kara Walker is known for creating black-and-white silhouette works that invoke themes of African American racial identity. Her subjects, often scenes of slavery, conflict or violence, are rendered in a style recalling traditional African illustration and folklore of the pre-Civil War United States; the works preserve and draw critical attention to these earlier cultural epochs.Brand: Kara Walker
https://daily.jstor.org/the-former-slave-who-became-a-master-silhouette-artist/
Jun 07, 2018 · For residents of Philadelphia, the place to go was Peale’s Museum, where a formerly enslaved man named Moses Williams created silhouettes by the thousands. Williams’s work is featured in Black Out: Silhouettes Then and Now at the Smithsonian’s National Portrait Gallery in Washington, DC.
https://www.theguardian.com/artanddesign/2013/oct/10/kara-walker-art-shadows-of-slavery
Oct 10, 2013 · Walker is one of the most uncompromising contemporary American artists, not just for the quality of her work – which comprises drawing, film, and her signature medium, silhouettes – …
https://www.thebroad.org/art/kara-walker
Kara Walker’s works recover the iconography of the antebellum South, using the collective memories of the plantation owners and their slaves. In most of her work, Walker revives the eighteenth- and nineteenth-century art of silhouetting, a long-dormant medium formerly used for portraiture, caricatures, idyllic landscapes, and decorative craft.
https://civilwartalk.com/threads/slave-silhouettes.143543/
Feb 27, 2018 · Accompanying the bill of sale was a silhouette, drawn on a 14x13-inch piece of cut-paper and colored with brown ink by an unknown and probably untrained artist. The silhouette was likely traced from a candle shadow and then filled in, and may have been sketched specifically for …
https://www.moma.org/collection/works/61470
Kara Walker African/American 1998. Not on view. In the 1990s, American artist Kara Walker revived the art of the cut-paper silhouette, popular in nineteenth-century portraiture. Walker transformed this medium to suit her more transgressive aims, using the spare elegance of the black forms to depict scatological and sexually explicit tableaux set in the Civil War South.
https://en.wikipedia.org/wiki/Moses_Williams_(artist)
Moses Williams (1777–c.1825) was an African-American visual artist who was particularly well known as a maker of silhouettes. He was a former slave of the artist Charles Willson Peale .
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