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https://useum.org/Renaissance/Perspective
Although before Renaissance artists such as Giotto tried to use perspective in their paintings, it was only with the Italian architect Filippo Brunelleschi, who demonstrated its principles, and the writings of Leon Battista Alberti, who wrote about the perspective and presented a perspective construction in his De Pictura in 1435, when perspective was formalized as an artistic technique.
http://www.classicalart.org/blog/a-brief-history-of-perspective
Apr 13, 2013 · In 1435 Leon Battista Alberti discovered the first theory of linear perspective and published his treatise Della Pictura (On Painting) in which he too relied on mathematics as the common ground of art and science. Alberti’s discovery had an enormous impact on European artists and is still used by artists, designers and architects today.
http://www.webexhibits.org/sciartperspective/raphaelperspective1.html
The conventional history is based on verbal accounts by Manetti (1480) and Vasari (1550), that it was first analyzed by the architect Filippo Brunelleschi (1377-1446) and demonstrated to his fellow Florentines in two dramatic peep-shows at some unspecified time between the years 1405 and 1425. Brunelleschi is frequently attributed with the knowledge of the one-point perspective construction and its introduction …
https://www.mos.org/leonardo/artist
Da Vinci created the illustrations for “De Divina Proportione” (On the Divine Proportion), a book about mathematics written by Luca Pacioli around 1498 and first published in 1509. The book was about mathematical proportions, such as the golden ratio it is named for, …
https://www.britannica.com/art/linear-perspective
Andrea Mantegna (who also mastered the technique of foreshortening), Leonardo da Vinci, and German artist Albrecht Dürer are considered some of the early masters of linear perspective. As the limitations of linear perspective became apparent, artists invented additional devices (e.g., foreshortening and anamorphosis ) to achieve the most-convincing illusion of space and distance.
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