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https://www.healing-power-of-art.org/master-artists-and-their-relationship-with-color/
Master Artists and Their Relationship With Color Monet’s Obsession With Color. Color may be the most important tool artists can use to express themselves, share their... Van Gogh’s Beliefs About Color. Van Gogh painted this “Self-Portrait as a Painter”, December 1887 – February 1888, oil... The ...
http://headforart.com/2016/12/16/how-artists-use-colour/
Dec 16, 2016 · The Russian painter Wassily Kandinsky (1866 – 1944) was one of the most significant figures in the development of abstract art. He thought that artists should use form and colour to express emotion and arouse feelings in the viewer.
https://www.nga.gov/education/teachers/lessons-activities/elements-of-art/color.html
To get students thinking about color and the moods or feelings that colors can convey, read a book that focuses on color, such as The Day the Crayons Quit by Drew Daywalt. Then view the slideshow below to introduce students to three artists—Claude Monet, Henri Matisse, and Wassily Kandinsky—and the way they used color in their paintings.
https://artclasscurator.com/color-in-art-examples/
May 07, 2015 · Cool Colors in Art. Claude Monet, The Artist’s Garden at Giverny, 1900; Winslow Homer, Fishing Boats, Key West, 1903; Richard Parkes Bonington, The Undercliff, 1828; James McNeil Whistler, Nocturne, Blue and Silver: Chelsea, 1871; Natalya Goncharova, Linen, 1913; Katsushika Hokusai, 36 Views of Mount Fuji, ca. 1829-32; Neutral Colors in Art
https://www.art-is-fun.com/color-in-art
Another thing to look for in abstract art is whether there are equal amounts of each color, or if one color is predominant. A good example is the work of color field painter, Mark Rothko. These paintings are all based on the color red. Notice what a difference it makes in composition when he adds white and red.
https://www.invaluable.com/blog/colors-and-emotions/
Oct 17, 2018 · Henri Matisse, with his liberal, expressive use of color, is one of the many influential artists credited with revolutionizing attitudes towards color in art. He boldly stated, “When I put down green it doesn’t mean grass, and when I put down blue it doesn’t mean sky.”
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