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https://www.britannica.com/art/impasto
Impasto came into its own in the 17th century, when such Baroque painters as Rembrandt, Frans Hals, and Diego Velázquez used skillfully and minutely worked impastos to depict lined and wrinkled skin or the sparkle of elaborately crafted armour, jewelry, and rich fabrics.
https://www.tate.org.uk/art/art-terms/i/impasto
First noticeable in the paintings of Venetian Renaissance artists Titian and Tintoretto, impasto is also seen in Baroque painting, for example in the work of Rubens. It is increasingly notable in nineteenth-century landscape, naturalist and romantic painting.
https://www.thoughtco.com/impasto-definition-in-art-182443
Feb 06, 2019 · Frank Auerbach (1931–) is another modern artist who unabashedly uses impasto in his work. Some of his abstract works such as "Head of E.O.W." (1960) is exclusively impasto with thick gobs of paint covering the entire wood support. His work brings to life the thought many have that impasto is a painter's form of sculpture.
https://www.artsy.net/gene/impasto
Impasto is most often associated with Baroque painters such as Rembrandt van Rijn or Diego Velázquez, who used the technique to depict aged skin or the reflection of jewels or armor.
https://study.com/academy/lesson/impasto-definition-techniques-effect-artists.html
Impasto technique involves applying paint as thickly as paste, creating a textured surface in which the marks of the brush (or palette knife) are often still clearly visible. Some artists used...
https://www.widewalls.ch/magazine/impasto-painting-technique
Jan 31, 2017 · One of the first artists who embraced impasto painting technique in oils was Rembrandt. In one of his famous self-portraits, thick strokes of paint are rising from the painting.
https://useum.org/exhibition/curated/Impressionism/techniques
Impasto Painting The technique of depicting objects with thick and short brush strokes that are visible and stand out of the surface, providing volume and depth is known as Impasto. Impressionist artists used this technique extensively, as it makes objects -and subjects too - …
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