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https://www.randompedia.net/corrente-artistica-aderirono-carra-soffici
La corrente artistica a cui aderirono Carrà e Soffici, ma anche altri nomi illustri dell’arte italiana del primo Novecento, come Morandi, De Chirico, Savinio ed altri, prese il nome dall’omonima rivista fondata a Roma da M. Broglio nel 1918: ...
https://en.wikipedia.org/wiki/Ardengo_Soffici
Soffici created a distance from Futurism and, discovering a new reverence for Tuscan tradition, became associated with the "return to order" which manifested itself in the naturalistic landscapes which thereafter dominated his work. Remaining in Poggio a …
https://www.abebooks.com/book-search/title/carra-e-soffici/author/bardi-p-m/
Carrà e Soffici by P. M. Bardi and a great selection of related books, art and collectibles available now at AbeBooks.com.
https://www.artuk.org/discover/artists/soffici-ardengo-18791964
Soffici's own work as a painter reflects his changing critical outlook, but it is not considered to have much independent merit. Text source: A Dictionary of Modern and Contemporary Art (Oxford University Press) Artworks. Deconstruction of the Planes of a Lamp Ardengo Soffici (1879–1964)
https://www.christies.com/en/lot/lot-5566226
Carlo Carrà (1881-1966) Forte dei Marmi firmato e datato C. Carrà 960 (in basso a sinistra); dedica, firma e data A Boncompagni con viva simpatia Carlo Carrà Milano ottobre 960 (sul retro) olio su tela cm 40x50 Eseguito nel 1960
https://www.peterlang.com/view/9783034322836/chapter22.xhtml
Tra Oltralpe e Mediterraneo Arte in Italia 1860–1915 Edited By Manuel Carrera, Niccolò D'Agati and Sarah Kinzel
https://wallector.com/en/artists/ardengo-soffici.html
Soffici was an Italian writer, painter, poet, sculptor and intellectual. In 1908, he moved to Milan and came into contact with the first progressivist and modernist fervors. He is an exponent of a non-Marinetti Futurism, calmer, less destructive and with a perspective always aimed towards reality.
http://dictionary.sensagent.com/ardengo%20soffici/en-en/
Soffici's paintings in 1913 – e.g. Linee di una strada and Sintesi di una pesaggio autumnale – showed the influence of the Futurists in method and title and he exhibited with them. In 1914, personal quarrels and artistic differences between the Milan Futurists and the Florence group around Soffici, Papini and Carlo Carrà , created a rift in Italian Futurism.
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