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https://cosmosandhistory.org/index.php/journal/article/view/519
In contrast, Nietzsche’s aesthetics (particularly the Dionysian) guides his ethics and metaphysics again through defining an ideal human nature without which ethos would be static and meaningless, lacking the ability to move and change and represent the tragic pathos of human life. Full Text: PDF.Author: Erman Kaplama
https://jorbon.tripod.com/niet01.html
For Nietzsche, art is not the imitation of nature, but a metaphysical complement that will enable the transcendence of nature itself. Art is the fundamental metaphysical activity of Man; art is the highest form of human activity. Nietzsche's view of art is, at the same time, the most sublime and metaphysical: "The world is a work of art that gives birth to itself." The realm of aesthetics holds for Nietzsche a …
http://www2.hawaii.edu/~freeman/courses/phil330/20.%20Nietzsche%20Later%20writings.pdf
The Birth of Tragedy, Nietzsche continues to stress the healing capacity of art through the creation of beautiful illusions without which we could not live (what in The Birth of Tragedy was called the Apollinian art drive). Nietzsche will continue to refer to the Dionysian in many important passages in his very last
https://libquotes.com/friedrich-nietzsche/quotes/nature
Friedrich Nietzsche Giving style to one's character - a great and rare art! It is exercised by those who see all the strengths and weaknesses of their own natures and then comprehend them in an artistic plan until everything appears as art and reason and even weakness delights the eye.
https://ndpr.nd.edu/news/force-drive-desire-a-philosophy-of-psychoanalysis/
The final chapter addresses the sublimation of drives through art in Schopenhauer, Nietzsche and Lacan. The question of what we do with our drives is obviously a significant offshoot of the question of what drives are, but it isn't clear to me that artistic sublimation is the only, or even the most pressing related issue to address in a final chapter.
http://anthropoetics.ucla.edu/ap2202/2202stewart/
Apr 10, 2017 · The relation between the Dionysian and Apollonian “drives of nature” is the source of the aesthetic and allows for the production of new artistic/linguistic creations. When one drive is suppressed, the other weakens. The weakening of the Dionysian is what Nietzsche calls Socrates’ “logical drive,” eradication of the Dionysian drive and forcing the Apollonian drive to “disguise itself in logical …
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