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https://www.washingtonpost.com/graphics/2020/entertainment/bartolomeo-manfredi-cupid-chastised/
Shame begets violence — and love pays the price. Manfredi’s painting of Cupid being beaten invites a modern interpretation. Bartolomeo Manfredi’s “Cupid Chastised,” 1613. On view at the ...
https://www.learnreligions.com/cherubs-and-cupids-angels-of-love-124005
Apr 17, 2018 · Cupid is the god of love in ancient Roman mythology (same as Eros in Greek mythology). Cupid was the son of Venus, the Roman goddess of love, and was often depicted in art as a young man with a bow, ready to shoot arrows at people to cause them to fall in love with others. Cupid was mischievous and took pleasure in playing tricks on people to toy with their emotions.
https://www.clevelandart.org/art/1962.37
Cupid was usually depicted as an ideal adolescent, but here David presents him as an ungainly teenager smirking at his sexual conquest.David took inspiration from a number of ancient texts, including an obscure, recently published Greek poem by Moschus that describes Cupid as a mean-spirited brat with dark skin, flashing eyes, and curly hair.
https://www.artic.edu/artworks/59847/cupid-chastised
Cupid Chastised depicts a moment of high drama: Mars, the god of war, beats Cupid for having caused his affair with Venus, the goddess of love, which exposed him to the derision and outrage of the other gods. Venus implores him in vain to desist.
https://mythologysource.com/is-eros-cupid/
Sep 30, 2020 · Roman art tended to show Cupid as entirely childish, taking the form of a young boy or even a young toddler. The entire retinue of Venus, once shown as physically small but adult, became a cadre of mischievous flying babies. The one exception, of course, was in the story of Cupid and Psyche.
https://www.leeloosesotericorner.com/blog/march-02nd-2015
Mar 02, 2015 · In art, Cupid often appears in multiples as the Amores, or amorini in the later terminology of art history, the equivalent of the Greek erotes. Cupids are a frequent motif of both Roman art and later Western art of the classical tradition. In the 15th century, the iconography of Cupid starts to become indistinguishable from the putto.
http://www.visual-arts-cork.com/famous-paintings/allegory-of-venus-and-cupid.htm
Meantime, behind Cupid (left) is a dark screaming figure who symbolizes either "jealousy" or perhaps the effects of "syphilis", which had reached epidemic proportions by the mid-16th century. The figure in the top left of the picture represents " Oblivion " (depicted with a hollow head that cannot remember anything) is trying to draw a veil over the events below.
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