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https://www.britannica.com/art/Carolingian-art
Charlemagne’s dream of a revival of the Roman Empire in the West determined both his political aims and his artistic program. His strong patronage of the arts gave impetus to a remarkable return to Roman classicism in the copying of Early Christian models and the influence of contemporary Byzantine and Greco-Roman styles, although the classicism was modified by local traditions favouring linearity and patterning and by Carolingian innovations (see also Anglo-Saxon art; Merovingian …
https://en.wikipedia.org/wiki/Carolingian_art
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about 780 to 900—during the reign of Charlemagne and his immediate heirs—popularly known as the Carolingian Renaissance.The art was produced by and for the court circle and a group of important monasteries under Imperial patronage; survivals from outside this charmed circle show a considerable drop in ...
https://courses.lumenlearning.com/suny-arthistory1/chapter/carolingian-art/
Constantine was the first Roman emperor to convert to Christianity and left behind an impressive legacy of military strength and artistic patronage. Charlemagne saw himself as the new Constantine and instigated this revival by writing hisAdmonitio generalis (789) and Epistola de litteris colendis (c.794–797).
https://courses.lumenlearning.com/suny-ncc-zeliart/chapter/carolingian-art/
Carolingian Art. Charlemagne, King of the Franks and later Holy Roman Emperor, instigated a cultural revival known as the Carolingian Renaissance. This revival used Constantine’s Christian empire as its model, which flourished between 306 and 337. Constantine was the first Roman emperor to convert to Christianity and left behind an impressive legacy of military strength and artistic patronage.
http://www.visual-arts-cork.com/history-of-art/carolingian-art.htm
It may well be that the enormous treasure of the Avars (it is said to have taken 15 carts, each drawn by four oxen, to carry only the gold and silver and precious garments), captured in 795, played an important part in providing the necessary surplus wealth to pay for Charlemagne's lavish patronage of early Christian art and culture. Clearly the basic intention of this patronage was to create a new image for a …
https://www.metmuseum.org/toah/hd/caro/hd_caro.htm
The emperor treated these men as friends and trusted them to make his court a cultural power. They helped organize an ambitious system of imperial patronage, and they worked to secure models for Carolingian artists to emulate, including antique cameos, ivories, and illustrated books. A new desire for accurate and legible texts led to a reform of handwriting, and this produced the so-called Carolingian …
https://smarthistory.org/carolingian-art-an-introduction/
Carolingian art, an introduction. by Dr. Nancy Ross. Charlemagne, King of the Franks and later Holy Roman Emperor, instigated a cultural revival known as the Carolingian Renaissance. This revival used Constantine’s Christian empire as its model, which flourished between 306 and 337. Constantine was the first Roman emperor to convert to Christianity and left behind an impressive legacy of military strength …
https://www.britannica.com/biography/Louis-XIV-king-of-France/Patronage-of-the-arts
Patronage of the arts Louis’s great fortune was in having among his subjects an extraordinary group of men in every area of activity. He knew well how to make use of them. He was the protector of writers, notably Molière and Jean Racine, whom he ordered to sing his praises, and he imposed his own visions of beauty and nature on artists.
https://quizlet.com/171680759/art-history-unit-4-exam-flash-cards/
Charlemagne's territory encompassed parts of France, the Low Countries, Germany, Austria, and Italy - Carolingian Empire continuation of Early Christian Rome under Constantine (renovatio imperii romani, meaning "renewal of the Roman Empire") - revival of learning and artistic patronage under Charlemagne and his successors
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