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https://biblio.ugent.be/publication/8647376
Between 1440 and the early 1480s, Bruges experienced a stable political and economic climate, which created favorable conditions for artistic patronage. As a favorite ducal residence where many important events were held, and an international center of commerce, Bruges counted many potential patrons of art amongst its residents.Cited by: 2
https://www.semanticscholar.org/paper/Artistic-patronage-in-Bruges-institutions%2C-Martens/0ebcc2300e6de6afde7496b8f4910f492dc2f670
Corpus ID: 190796765. Artistic patronage in Bruges institutions, ca.1440-1482 @inproceedings{MartensArtisticPI, title={Artistic patronage in Bruges institutions, ca.1440-1482}, author={M. Martens} }
https://www.worldcat.org/title/artistic-patronage-in-bruges-institutions-ca-1440-1482/oclc/30691382/editions?start_edition=1&fq=
Artistic patronage in Bruges institutions, ca. 1440-1482: 3. Artistic patronage in Bruges institutions, ca. 1440-1482. by Maximiliaan P J Martens Thesis/dissertation: Thesis/dissertation : Manuscript : Microfiche Archival Material: English. 1992 4. Artistic patronage in Bruges institutions…
https://biblio.ugent.be/publication/8647376/file/8647377.pdf
Artistic Patronage in Bruges Institutions, ca. 1440-1482 by Maximiliaan Pieter Jan Martens Between 1440 and the early 1480s, Bruges experienced a stable political and economic climate, which created favorable conditions for artistic patronage. As a favorite ducal residence where many important events were held, andCited by: 2
https://ugent.academia.edu/MaximiliaanMartens
Artistic Patronage in Bruges Institutions, c. 1440 1482. ... Record Type, book. Author, Maximiliaan Martens [801001741714] - Ghent University [email protected] .
https://www.artic.edu/artworks/16298/portrait-of-jean-gros
Maximiliaan P. J. Martens, “Artistic Patronage in Bruges Institutions, ca. 1440–1482,” Ph.D. diss., University of California, Santa Barbara, 1992, p. 287. Guy Bauman and Walter A. Liedtke, Flemish Paintings in America: A Survey of Early Netherlandish and Flemish Paintings in the Public Collections of North America, Antwerp, 1992 , p. 374, no. 493 (ill.).
https://www.metmuseum.org/art/collection/search/436102
Maximiliaan P. J. Martens, “Artistic Patronage in Bruges Institutions, c. 1440–1482,” Ph.D. diss., University of California at Santa Barbara, 1992, p. 293. [5] This may be true as well for the Master of the André Madonna copy after David’s painting in The Met (Museo Thyssen-Bornemisza, Madrid), as well as Gerard David’s Portrait of an Augustinian Friar (?)
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