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https://www.britannica.com/topic/Pieta-iconography
Pietà, as a theme in Christian art, depiction of the Virgin Mary supporting the body of the dead Christ. Some representations of the Pietà include John the Apostle, Mary Magdalene, and sometimes other figures on either side of the Virgin, but the great …
http://www.visual-arts-cork.com/history-of-art/pieta.htm
art, "pieta" - the Italian for "pity" or "mercy" - is a depiction of the dead Christ following the descent from the cross, accompanied either by a sorrowful Virgin/Madonna (sometimes with Saint The image may be a sculpture- most often a marble sculptureor a wood …
https://www.nationalgallery.org.uk/paintings/neapolitan-follower-of-giotto-the-dead-christ-and-the-virgin
The Dead Christ and the Virgin: Artist: Neapolitan follower of Giotto: Artist dates: about 1267 or 1276; died 1337: Date made: probably 1330s-40s: Medium and support: Egg tempera on wood: Dimensions: 60 x 42.3 cm: Acquisition credit: Presented by Henry Wagner, 1924: Inventory number: NG3895: Location: Room 51: Art route(s) A: Collection: Main Collection
https://collections.vam.ac.uk/item/O94288/the-virgin-with-the-dead-statue-master-of-rimini/
The Netherlandish workshops, by contrast, produced fewer but many times more carefully finished alabaster sculptures, which were also considerably more expensive to buy. Descriptive line. Statue, alabaster, The Virgin with the Dead Christ, by the Master of Rimini, South Netherlands, ca. 1430.
https://quizlet.com/22937160/chapter-13-gothic-europe-flash-cards/
-A representation of the Virgin Mary mourning over the body of the dead christ Stained glass Glass colored by mixing pigments inherently in the glass, by fusing colored metallic oxides onto the glass, or by painting and baking transparent colors on the glass surface.
https://www.artfund.org/supporting-museums/art-weve-helped-buy/artwork/4888/dead-christ-with-the-virgin-and-st-john
Dead Christ with the Virgin and St. John Master of the S. Lucchese Altarpiece Art Funded 1955 Dimensions 18.4 x 47.6 cm Presented by F D Lycett Green through The Art Fund
http://www.visual-arts-cork.com/famous-paintings/lamentation-over-the-dead-christ.htm
the most famous example of foreshorteningin the history of art. Also known simply as The Dead Christor The Lamentation, it shows the corpse of Christ lying on a marble slab, watched over by the grieving Virgin Mary and Saint John, who are weeping for his death. Unlike most religious
https://www.getty.edu/art/collection/objects/977/cesare-targone-virgin-mourning-the-dead-christ-italian-about-1582-1584-frame-and-box-about-1850/
Sculptor Cesare Targone rejected the traditional narrative emphasis of images of the grieving Virgin. He eliminated almost all references to the Crucifixion or Christ's other mourners, focusing solely on the Virgin Mary's sorrow, which then becomes a model for the viewer's response to the dead Christ.
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