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https://www.metmuseum.org/toah/hd/virg/hd_virg.htm
Narrative artistic representations of Christ’s mother focus on her conception and childhood or her Koimesis (her Dormition, or eternal sleep). Most images of the Virgin stress her role as Christ’s Mother, showing her standing and holding her son. The …
https://en.wikipedia.org/wiki/Madonna_(art)
Oct 30, 2002 · Late Gothic sculptures of the Virgin and Child may show a standing virgin with the child in her arms. Iconography varies between public images and private images supplied on a smaller scale and meant for personal devotion in the chamber: the Virgin suckling the Child (such as the Madonna Litta ) is an image largely confined to private devotional icons.
https://www.nga.gov/collection/art-object-page.41702.html
This Coronation of the Virgin may be the first time the subject, which originated in the West, appears in Venetian art. Some of the earliest representations were carved above cathedral doorways in France—and certain elements in the Gallery's painting—its elaborate halos, for example—share in the decorative elegance of Gothic art.
https://www.economist.com/prospero/2014/12/11/holy-mary-drenched-in-symbolism
Dec 12, 2014 · Western art abounds with paintings and sculptures of the Virgin; indeed, until the 18th century, she was the single most frequently depicted female figure.
https://commons.wikimedia.org/wiki/Category:Virgin_Mary_in_art
Apr 25, 2020 · The Madonna in art. artistic representation of Mary, either alone or with her child Jesus. Upload media. Wikipedia. Instance of. artistic theme. Subclass of. work of art, religious art.
https://www.britannica.com/topic/Madonna-religious-art
The major types of the Madonna in Byzantine art are the nikopoia (“bringer of victory”), an extremely regal image of the Madonna and Child enthroned; the hodēgētria (“she who points the way”), showing a standing Virgin holding the Child on her left arm; and the blacherniotissa (from the Church of the Blachernes, which contains the icon that is its prototype), which emphasizes her role as intercessor, …
https://smarthistory.org/cabrera-apocalypse/
Inscription with the names of the patrons (detail), Miguel Cabrera, The Virgin of the Apocalypse, 1760, oil on canvas, 352.7 x 340 cm (Museo Nacional de Arte, INBA) Unlike Rubens’ painting, which was meant as a cathedral altarpiece, this painting was displayed at the Royal and Pontifical University of Mexico.
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