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https://www.theartstory.org/artist/el-greco/
Summary of El Greco. El Greco's life and work were marked by a deep underlying devotion to God. Compelled as a young man to become an artist, he mastered a longstanding tradition of Byzantine icon art, yet by the time he eventually settled in Spain his inspiration was largely drawn from the burgeoning Italian and Spanish Renaissances. Although his early ambitions were to become a court painter, his individual style …Nationality: Greek-Spanish
https://www.liquisearch.com/el_greco/art/technique_and_style
According to Pacheco, El Greco's perturbed, violent and at times seemingly careless-in-execution art was due to a studied effort to acquire a freedom of style. El Greco's preference for exceptionally tall and slender figures and elongated compositions, which served both his expressive purposes and aesthetic principles, led him to disregard the laws of nature and elongate his compositions to ever greater …
https://www.masterclass.com/articles/about-el-greco
Feb 26, 2021 · El Greco’s work is known for a few key stylistic signatures: Bright Coloring: El Greco’s work is known for vivid coloring and pigmentation (perhaps owing to his post-Byzantine influence) giving his works an air of fantasy.
https://www.britannica.com/biography/El-Greco
El Greco, byname of Doménikos Theotokópoulos, (born 1541, Candia [Iráklion], Crete—died April 7, 1614, Toledo, Spain), master of Spanish painting, whose highly individual dramatic and expressionistic style met with the puzzlement of his contemporaries but gained newfound appreciation in the 20th century. He also worked as a sculptor and as an architect.
https://www.artble.com/artists/el_greco
El Greco set himself apart from other Cretan artists by evolving his style and inventing new and rare interpretations of traditional religious themes. His works from this period exemplified the Venetian Renaissance style with elongated figures, chromatic framework and sometimes multi-figured compositions in vibrant landscapes, drawing inspiration from artists such as Titian and Tintoretto.
El Greco was determined to make his own mark in Rome defending his personal artistic views, ideas and style. He stayed with Alessandro Farnese, who was possibly the wealthiest and most influential patron in Rome, during this period. In 1572, El Greco joined the painter's academy, where he was known to have one or two assistants while working here.
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