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https://www.webpages.uidaho.edu/engl_258/Lecture%20Notes/american_romanticism_in_art.htm
American Romanticism In Art. Albert Bierstadt 1830-1902. Storm in the Rocky Mountains (Mount Rosa), 1886. Sunset in the Yosemite Valley, 1868. Emigrants Crossing the Plains, 1867. Emanuel Leutze (1816 - 1868) Washington Crossing the Delaware, 1851. Westward the Course of Empire Takes Its Way, 1861 (mural for US Capitol) Thomas Cole (1801-1848)
https://www.theartstory.org/movement/romanticism/artworks/
Cole thus presents the artist in harmony with nature. Thomas Cole was among the most important and influential of the Hudson Valley School painters. While traveling in Europe from 1829-1832, the artist traced this view from Basil Hall's Forty Etchings Made with the Camera Lucida in North America in 1827 and 1828. Wanting to counter Hall's criticism of Americans as indifferent to their native landscape, …
https://www.theartstory.org/movement/romanticism/
Informed by the Baroque style and the Classicists, Goya's art was part of the Romanticism movement, but also contained provocative elements such as social critiques, nudes, war, and allegories of death. He is considered a major influence on the works of Manet, …
https://www.britannica.com/art/Romanticism
Feb 02, 2021 · Romanticism, attitude that characterized works of literature, painting, music, architecture, criticism, and historiography in the West from the late 18th to the mid-19th century. It emphasized the individual, the subjective, the irrational, the imaginative, the personal, the emotional, and the visionary.
https://artsandculture.google.com/usergallery/ZAKCF4oDPbRCKw
This movement emphasized the emotional value of the individual/artist. It was mostly centered around nature because people looked back on it longingly. From Nature , Thomas Cole (1801-1848), 1823,...
https://www.thoughtco.com/romanticism-art-history-183442
Jul 28, 2019 · Romantic art ranged from the smooth-as-glass, highly-detailed, monumental canvas Death of Sardanapalus (1827) by Eugène Delacroix, to J. M. W. Turner's indistinct watercolor washes in The Lake of Zug (1843), and everything in between. The technique was all over the map; execution was completely up to the artist.
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