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https://www.jstor.org/stable/3050144
ARTISTS AND REDERIJKERS IN THE AGE OF BRUEGEL 427 1 Pieter Bruegel the Elder, Allegory of Temperance, drawing, 1560. Rotterdam, Museum Boymans-van Beuningen 2 Detail of Fig. 1 rederijkers in the circle of Jan Steen,6 or Gudlaugsson's dissertation on seventeenth-century Dutch art and theater in general.7 In the case of Bruegel and his ...
https://www.studyblue.com/notes/note/n/gibson-artists-and-rederijkers-in-the-age-of-bruegel/deck/4547846
Gibson - Artists And Rederijkers In The Age Of Bruegel; Andres B. • 32 cards. Rhetoric as depicted in Bruegel's 'Temperance' (1560) Rhetoric is depicted by a little drama in progress on a wooden stage. One of the actors personifies Hope, the word inscribed across his cloak, and is in dialogue with a companion in female dress, of unknown ...
https://www.metmuseum.org/toah/hd/brue/hd_brue.htm
Pieter Bruegel I (ca. 1525–1569), commonly known as Pieter Bruegel the Elder, was the greatest member of a large and important southern Netherlandish family of artists active for four generations in the sixteenth and seventeenth centuries. A longtime resident of Antwerp, the center of publishing in the Netherlands and a vibrant commercial capital, Bruegel brought a humanizing spirit to ...
https://wsimag.com/art/52448-the-age-of-bruegel
BOZAR kicks off the Bruegel year in Brussels with the double bill The Age of Bruegel, as we plunge into the crazy, exhilarating 16th century. An age of peasant weddings and fallen angels, religious tumult and sudden upheavals.
https://www.artsy.net/article/artsy-editorial-mysteries-pieter-bruegel-elders-peasant-paintings
Aug 24, 2018 · In the 2006 book Pieter Bruegel and the Art of Laughter, Walter S. Gibson asserts that Bruegel’s aim was comedic: He wanted to make his normally solemn viewers laugh. Regardless of Bruegel’s intentions, scholars agree on one thing: The paintings were commissioned and purchased by wealthy patrons, not by those represented in them.
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