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https://sites.utexas.edu/ransomcentermagazine/2019/07/22/detecting-forgeries-of-aubrey-beardsleys-influential-artworks/
Jul 22, 2019 · Right: Unknown, after Aubrey Beardsley, Dreams, after 1894. India ink and Chinese white on paper. Aubrey Beardsley Art Collection, 65.190.] Beardsley primarily kept the white spaces on his drawings in reserve, meaning that he built up areas of black ink around what he wished to leave white rather than relying on white ink corrections.
https://www.theartstory.org/artist/beardsley-aubrey/
This not withstanding, Beardsley's rendering is most certainly influenced by James Abbott McNeill Whistler's Peacock Room, which the artist so greatly admired. Indicative of Beardsley's mature style, this image speaks to the artist's fascination with the Japanese aesthetic - an interest he shared with Whistler and other late-19 th -century ...Nationality: British
https://revistas.uniandes.edu.co/doi/full/10.25025/hart05.2019.02
Jan 16, 2019 · Beardsley’s work “profoundly marked the turn of the century”. 44 He influenced other artists and poster artists, as well as costume and set designers. 45 His curved lines and imagery, driven by a distinctive grotesqueness/elegance dichotomy, would also fascinate the artists who developed the idioms of psychedelic graphic design some ...Author: Juliana F. Duque
https://www.wikiart.org/en/aubrey-beardsley
Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an English illustrator and author. His drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic.Birth place: Brighton, United Kingdom
https://www.tate.org.uk/art/artists/aubrey-beardsley-716
Artist page for Aubrey Beardsley (1872–1898) Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an English illustrator and author. His black ink drawings were influenced by Japanese woodcuts, and emphasized the grotesque, the decadent, and the erotic.
https://www.illustrationhistory.org/artists/aubrey-beardsley
The “Beardsley Boom” of April 1893 began when Aubrey was featured in the keynote article of The Studio, an art publication in London, titled “A New Illustrator: Aubrey Beardsley.” Within this article was also a drawing from “The Climax” of Oscar Wilde’s Salomé entitled J’ai baisé ta bouche, Iokanaan .
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