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https://www.johnheartfield.com/John-Heartfield-Exhibition/john-heartfield-art/antifa-artists-john-heartfield-inspired
Photo Illustrations by Michael Tunk, Cara Adams, Hope Kroll, Human Wreckage, Mark Jason Weston, Thomas Young, Kieran Madden, Johanna Goodman, Jilly Ballistic, Winston Smith, Frank Morison and Anthony Gerace Twelve collage artists respond to an American state of emergency, with inspiration from master political artist John Heartfield.
https://www.theartstory.org/artist/heartfield-john/artworks/
Photomontage enabled the Dadaist Heartfield to allow the news headlines and advertising slogans to speak for themselves in the form of fragmented words and images that conveyed the social turmoil and the cacophony of the urban street of commerce and news. Hannah Höch, like Heartfield, appropriated mass media fragments.
https://www.theartstory.org/artist/heartfield-john/
Summary of John Heartfield. Only recently has John Heartfield's work been studied on its own terms, as progressive graphic design. Heartfield's formative training in advertising and experiences with Dada theatricality provided him with the visual tools to affect and persuade viewers to action and critical thinking. Heartfield's pro-communist, anti-capitalist photomontages emerge in a moment of ...Nationality: German
https://www.wsws.org/en/articles/2012/09/hear-s11.html
Sep 11, 2012 · “I want to have people influenced by John Heartfield”, he said, and hoped the archive would become “a tribute and a place for political artists to express themselves eventually.
https://www.wikiart.org/en/john-heartfield
John Heartfield's name is synonymous with his 1930s anti-fascist photomontages. He became known for his one-man battle against Hitler due to his concentrated critique of this dictator as a liar, backed by the big industrialists. Montage, for Heartfield, was a vernacular art form, readily used for propaganda and commercial purposes.Birth place: Germany
https://www.johnheartfield.com/John-Heartfield-Exhibition/john-heartfield-art
Only The Cottage In The Woods survives in The John J Heartfield Collection. The young Heartfield’s radical self-editing started him on the path to becoming one of the 20th century’s most influential artists. Grosz and Heartfield cut and pasted together media during WWI. Their work was designed to give viewers a visual jolt.
https://www.johnheartfield.com/John-Heartfield-Exhibition/john-heartfield-art/german-dada-berlin-dada-art
Berlin Dadaists produced groundbreaking and influential works. They influenced artists from Pablo Picasso (Cubism) to John Heartfield (I Am The Walrus). Art critics normally provide names for art, such as Cubism and Expressionism. The Dada movement was named by the artists themselves.
https://www.johnheartfield.com/John-Heartfield-Exhibition/
From John Heartfield to Bob Dylan to John Lennon to Beyoncé, artists expose villains, emboldened resistance, and forced conversations. The antifascist artist John Heartfield was a pacifist. He rose to number-five on the Gestapo’s Most Wanted List, working inside the Third Reich.
https://www.theartstory.org/artist/heartfield-john/life-and-legacy/
Heartfield met leading avant-garde artists, such as Gustav Klucis, El Lissitzky, and Alexander Rodchenko. He formed a close friendship with the prominent writer Sergei Trejakov. Yet, Heartfield found his work heralded and criticized, because his photomontages were both effective propaganda and formalist arrangement.
https://www.britannica.com/biography/John-Heartfield
Heartfield joined the German Communist Party in 1918. In that same year he and Grosz became founding members of the Berlin Dada Club, which included avant-garde artists such as Hannah Höch, Raoul Hausmann, and Johannes Baader. As an anti-art movement, Dada allowed Heartfield the freedom to experiment with new materials and forms of expression.
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