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http://users.rowan.edu/~clowney/aesthetics/philos_artists_onart/plato.htm
Plato was much impressed with the theories of Pythagoras, and his number mysticism. Early thinking about geometric ratios was partly inspired by noticing the series of overtones connected with the vibration of a string.
https://www.college.columbia.edu/core/lectures/fall1999
Plato, on this picture, believes that art perverts and corrupts: being simply "imitation", it makes us attached to the wrong things - things of this world rather than eternal Forms - and depicts vile and immoral behavior on the part of the gods and humans as if it were normal or admirable.
https://decodedpast.com/platos-argument-art-is-an-imitation-of-an-imitation/
Sep 20, 2013 · Art can never truly represent reality, for life itself, of which art is merely a copy, does not represent reality, according to Plato. Our world “…as we experience it, is an illusion, a collection of mere appearances like reflections in a mirror or shadows on a wall.” (Quoted by Rosalind Hursthouse in “Truth and Representation ...Author: Janet Cameron
http://www.stephenhicks.org/2012/01/21/plato-on-censoring-artists-a-summary/
Jan 21, 2012 · Plato reminds me of Adolph Hitler who’s actions censored art that he personally disagreed with, for the good of the Fatherland. Subversive artist George Grosz effectively created an introspective judgement of Germany’s corrupted officials and undermined Hitler’s power and propaganda machine and his peculiar version of a superior Germany.
https://plato.stanford.edu/entries/plato-aesthetics/
Jun 27, 2008 · 1. Beauty. The study of Plato on beauty must begin with one warning. The Greek adjective kalon only approximates to the English “beautiful.” Not everything Plato says about a kalos, kalê, or kalon thing will belong in a summary of his aesthetic theories. Readers can take this distinction between the Greek and English terms too far.
https://answers.yahoo.com/question/index?qid=20080405184502AAls7hX
Apr 05, 2008 · The bearded figure of Plato is Leonardo. Raphael himself is pictured, next to last, on the far right, with the black beret. Michelangelo is the brooding, melancholy figure in front leaning on a...
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