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https://frankensaurus.com/Aubrey_Beardsley
Aubrey Beardsley is similar to these artists: Jessie M. King, Marcello Dudovich, Will H. Bradley and more.
https://www.invaluable.com/blog/art-nouveau-artists/
Apr 25, 2018 · In the seven years he was able to illustrate, Beardsley made a name for himself as one of the most talked-about artists of his time. His illustration for Oscar Wilde’s play Salome is considered one of the most controversial of the Art Nouveau movement. In his poster, the character Salome holds the head of John the Baptist on a table.
https://www.wikiart.org/en/aubrey-beardsley
Aubrey Vincent Beardsley (21 August 1872 – 16 March 1898) was an English illustrator and author. His drawings in black ink, influenced by the style of Japanese woodcuts, emphasized the grotesque, the decadent, and the erotic. He was a leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler.Birth place: Brighton, United Kingdom
https://americanainsights.org/essays/beardsleys/
The Sherman portrait is Beardsley’s neighbor in every sense, down to his green Windsor chair. Likewise, there are useful echoes of the portrait of Elizabeth Beardsley in Connecticut artist Winthrop Chandler’s striking contemporary portrait of Anna Paine Chandler , the artist’s sister-in-law, from around 1780. The painting’s crisp, austere representation of Anna Chandler’s face resembles Elizabeth Beardsley’s in …
https://allthatsinteresting.com/aubrey-beardsley
Apr 22, 2019 · Perverse, Provocateur, And Oscar Wilde’s Protégé: The Brief And Scandalous Story Of Artist Aubrey Beardsley Aubrey Beardsley, The Sickly Child. Aubrey Beardsley was born to Vincent and Ellen Beardsley on Aug. 21, of 1872, a year... Beardsley’s Burgeoning Career. In 1891 Aubrey Beardsley took a ...
https://www.illustrationhistory.org/artists/aubrey-beardsley
In the middle of 1893, Le Morte d’Arthur and Bon Mots (another commission from Dent) were both published, making Aubrey the most famous young artist in England. The “Beardsley Boom” of April 1893 began when Aubrey was featured in the keynote article of The Studio, an
https://www.tate.org.uk/art/artists/aubrey-beardsley-716/story-aubrey-beardsley-five-artworks
One of Beardsley’s biggest points of reference was his early mentor Edward Burne-Jones, who drew elongated figures like those in Beardsley’s artworks. The combination of all these sources played a part in shaping Beardsley's unique style. At only 21, he was already admired as a new illustrator on the scene.
https://www.theartstory.org/artist/beardsley-aubrey/artworks/
Reflecting upon Henri Toulouse-Lautrec's poster art and his own ambitions do accomplish something similar in England, Beardsley set out his theory on art and advertising in "The Art of the Hoarding" (1894). In his essay, the artist argued that, "advertisement is an absolute necessity of modern life."
https://www.wikiart.org/en/aubrey-beardsley/all-works
How Sir Launcelot was Known by Dame Elaine II Aubrey Beardsley • 1893 Oscar Wilde at Work Aubrey Beardsley • 1893 illustration for Act II of Siegfried Aubrey Beardsley • 1892-1893
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