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https://www.amazon.com/Artists-Magazines-Alternative-Space-Press/dp/026252841X
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art.Cited by: 8
https://mitpress.mit.edu/books/artists-magazines
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art.
http://franklinfurnace.org/research/related/artists_books_as_alternative_space.php
Artists Books As Alternative Space. Martha Wilson, 1978. From the Artists Books Bookworks catalog for the 1978 exhibit organized by the Ewing and George Paton Galleries, the Experimental Art Foundation, the Institute of Modern Art, and in conjunction with Laica California and Franklin Furnace New York, and with the assistance of the Australian Gallery Directors Council
http://www.zinebook.com/resource/perkins/perkins5.html
Howardena Pindell, the artist produced magazine came to function as an "alternative space." (1,2) This concept undermined and collapsed two inherited structures endemic to previous assumptions about magazines: 1) artists now began to write about the artworld
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