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https://www.britannica.com/art/Mannerism
Among them were Giorgio Vasari, Daniele da Volterra, Francesco Salviati, Domenico Beccafumi, Federico Zuccari, Pellegrino Tibaldi, and most notably Bronzino, who was the pupil of Pontormo and who became the most important Mannerist painter in Florence at this time.
https://www.wikiart.org/en/artists-by-art-movement/mannerism-late-renaissance
Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, lasting until about 1580 in Italy, when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century. Stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, …
https://www.theartist.me/art-movement/mannerism/
Mannerism is extended from the influence of High Renaissance artists such as Michelangelo (Doni Tondo), Da Vinci, and Raphael (The School of Athens). It was a response to the harmonious compositions and ideals of the Renaissance artists and was embodied in styles that sought an increase in tension. The art movement had an artificial as opposed to the natural feel and was considered to be …
https://www.nga.gov/features/slideshows/mannerism.html
Agnolo Bronzino, Italian, 1503 - 1572, Eleonora di Toledo, c. 1560, oil on panel, Samuel H. Kress Collection, 1961.9.7. 1 of 9. In a sense, Andrea del Sarto could be called the godfather of mannerism. Two of his students—Rosso and Pontormo—took the …
https://www.theartstory.org/movement/mannerism/
Mannerism launched a highly imaginative period in art following the climax of perfection that naturalistic painting had reached in Renaissance Italy. Artists in 16 th century Florence and Rome started to veer from classical influences and move toward a more intellectual and expressive approach. This ushered in a veer from authentic portrayals ...
https://benstreet.co.uk/article/contemporary-art-mannerism/
Visual sampling from art of the past, again flatteringly reliant upon the cultural savvy of its viewership, is a trait of Mannerism also prevalent in contemporary practice. Works by Sherrie Levine, Sturtevant, Vik Muniz, or Glenn Brown depend utterly upon a viewer’s grasp of art history and museology.
https://www.researchgate.net/publication/233165746_Mannerism_modernity_and_the_modernist_architect_1920-1950
between Renaissance art and science within two Mannerist artists or craftsmen, the French sixteenth-century potter Bernard Palissy and the German etcher and goldsmith Wenzel Jamnitzer.
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