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https://edustrings.com/arts/2919748.html
International Gothic Style was period in arts that was developed during the 14th and 15th Centuries. It started in Burgundy, France. Among the most representative artist, we can find people like Theodoric of Prague, Master of the Třeboň Altarpiece (who was also from Prague,) Jacquemart de Hesdin, Gentile da Fabriano, and many others.
https://www.britannica.com/art/International-Gothic
…a major exponent of the International Gothic style. His early work suggests that he was the pupil of Stefano da Zevio, a Veronese artist. (He was wrongly called Vittore by Giorgio Vasari, and only in 1907 was his personal name verified as Antonio.)
https://www.britannica.com/art/Western-painting/International-Gothic
His style forms an interesting contrast to that of Lorenzo Monaco in Florence, who, though equally an International Gothic artist, tended to draw figures with finer, more incisive lines. In many ways Gentile’s style resembles painting done at the Milanese court during this period.
https://courses.lumenlearning.com/boundless-arthistory/chapter/gothic-painting/
Much like Cimabue, Duccio of Siena painted in the Byzantine style but made his own personal contributions in the Gothic style in the linearity, the rich but delicate detail, and the warm and refined colors of his work. He was also one of the first Italian painters to place figures in architectural settings.
http://www.visual-arts-cork.com/history-of-art/international-gothic.htm
Major artists associated with the International Gothic style included the sculptors Andre Beauneveu (c.1335-1400) and Claus Sluter (c.1340-1406); the wood-carvers Veit Stoss (1450-1533) and Tilman Riemenschneider (1460-1531); and the painters Gentile da Fabriano (c.1370-1427), Antonio Pisanello (1394-1455), as well as the Limbourg Brothers, Herman, Jean and Pol, all of whom died …
https://www.nationalgallery.org.uk/paintings/glossary/international-gothic
Often pictures which are categorised in this manner are spatially illogical, but include beautifully observed naturalistic details. It was principally practised at courts in France, Italy and Bohemia. Among its notable exponents are Giovanni di Paolo, Pisanello and Stefan Lochner. See the entry for Gothic.
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