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https://en.wikipedia.org/wiki/Category:Paramount_Records_artists
Pages in category "Paramount Records artists" The following 69 pages are in this category, out of 69 total. This list may not reflect recent changes ().
https://paramountmusic.org/about/paramount-records/paramount-records-artists/
Death certificate, coroner’s report and grave discovered in Southeastern WI! A well-known international blues magazine, Blues & Rhythm, just released an article in issue #263, “In Search of Blind Blake…Arthur Blake’s death certificate unearthed” by Alex van der Tuuk, Bob Eagle, Rob Ford, Eric LeBlanc and Angela Mack. The article gives details about an exciting blues discovery that ...
https://www.discogs.com/label/93131-Paramount
101 rows · Paramount was an American record label, best known for its recordings of African …
https://www.amazon.com/Rise-Fall-Paramount-Records-1917-1932/dp/B00FKMSN7A
VARIOUS ARTISTS - The Rise & Fall of Paramount Records, Volume One (1917 ... The capture of early jazz, blues, and singing sermons on Paramount records -- like the Gennett recording story -- is a miracle that preserved unique musical classics and performers that might otherwise have been lost in the mists of memory. This beautifully presented ...3.6/5(30)
https://pitchfork.com/reviews/albums/19889-the-rise-fall-of-paramount-records-volume-two-1928-1932/
Dec 12, 2014 · The success of Paramount Records, a loss-leader meant to move the music-playing furniture made by the Wisconsin Chair Company as World War I …
http://www.msbluestrail.org/blues-trail-markers/paramount-records
Paramount Records - Grafton Many of the most important recordings in blues history were made at the studio of Paramount Records, located here on the grounds of the Wisconsin Chair Company factory. Between 1929 and 1932 Mississippi-born blues pioneers including Charley Patton, Tommy Johnson, Skip James, Son House, the Mississippi Sheiks, Willie ...
https://wi101.wisc.edu/2018/08/24/paramount-records/
Aug 24, 2018 · First, Paramount management hired a young black journalist stationed in Chicago named J. Mayo Williams, who, despite having nearly no experience in the record industry, proved very effective in recruiting black artists to the Paramount label. Second, Paramount, which made much of their profit in the early 1920s by pressing discs for other ...
https://thirdmanstore.com/the-rise-and-fall-of-paramount-records-volume-2
In its final 5 year push, Paramount embarked on a furious run for the ages, birthing the entire genre of Mississippi Delta blues and issuing some of the most coveted records in the history of wax - a staggering playlist including Skip James, Charley Patton, Son House, Tommy Johnson, Willie Brown, King Solomon Hill, Tampa Red, Lottie Kimbrough ...
https://thirdmanstore.com/the-rise-and-fall-of-paramount-records-1917-1932-volume-1
The answer lies in The Rise and Fall of Paramount Records: 1917-1932, an epic, two-volume omnibus of art, words, and music housed in limited-edition, hand-sculpted “Cabinets of Wonder,” jointly released by Jack White’s Third Man Records and John Fahey’s Revenant Records. Volume One covers the label’s improbable rise from 1917-1927.
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