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http://www.galeriadelaraza.org/eng/exhibits2/archive/artists.php?op=view&id=46&media=info
ASCO Beginning in the early 1970s, the Los Angeles-based multi-media arts collective Asco (from the Spanish word for nausea) created performances, street theater and conceptual art that satirized the emerging styles of Chicano art and pushed the boundaries of what it might encompass.
https://www.artspace.com/artist/asco
Asco was formed in the early 1970s by four Chicano artists—Harry Gamboa Jr, Gronk, Willie F. Herrón III and Patssi Valdez—who met in high school in East LA, the center of …
https://eastofborneo.org/articles/your-art-disgusts-me-early-asco-1971-75/
Nov 18, 2010 · These early works by Asco acknowledge the group’s influence on Chicano conceptual artists who came of age in the 1990s, while also providing a historical framework for Chicano art vis-à-vis the history of the North American avant-garde. Asco, Walking Mural, 1972.
https://www.chicano.ucla.edu/research/asco-and-friends-exiled-portraits
Triangle France, the UCLA Chicano Studies Research Center and Le Cartel are pleased to announce Asco and Friends: Exiled Portraits, the first major exhibition in France of works by the artist collective Asco, active in Los Angeles from 1972 to 1987.
https://hiplatina.com/chicano-civil-rights-artists/
Two Artists From the Chicano Civil Rights Movement Embrace Their Existence As Resistance by Yvette Montoya June 8, 2018 ASCO and Los Four were East Los Angeles Chicano art collectives during the Chicano Civil Rights movement in the 1970’s and early 80’s.Author: Yvette Montoya
https://www.lacma.org/press/asco-elite-obscure-retrospective-1972-1987
Creating art by any means necessary—often using their bodies and guerilla tactics—Asco merged activism and performance and, in doing so, pushed the boundaries of what Chicano art might encompass. Asco: Elite of the Obscure includes nearly 150 artworks, featuring video, sculpture, painting, performance ephemera and documentation, collage ...
https://www.kcrw.com/news/shows/press-play-with-madeleine-brand/rnc-art-coronavirus-architecture-showtime/chicano-moratorium-vietnam-war
Harry Gamboa Jr., Decoy Gang War Victim, 1974, from the Asco era. ©1974, Harry Gamboa Jr., 16 inches x 20 inches, Fujigloss Lightjet print, Edition of ten. There was an explosion of murals across LA in the 1970s. Several art organizations and collectives formed, including Asco, Self Help Graphics, and LA’s Day of the Dead celebration.
https://walkerart.org/collections/publications/side-by-side/artists-groups-in-los-angeles-asco-and-los-four
Harry Gamboa Jr., “In the City of Angels, Chameleons, and Phantoms: Asco, a Case Study of Chicano Art in Urban Tones (or Asco Was a Four-Member Word),” in Chicano Art: Resistance and Affirmation, eds. R. Griswold del Castillo, T. McKenna, and Y. Yarbro-Bejarano (Los Angeles: Wight Art …
http://www.billkelleyjr.net/download/noriega-asco.pdf
authoring their work of art, or only as the illicit markings of an invisible social group of Chicano graffiti artists. When LACMA whitewashed Asco’s signatures, it simultaneously removed graffiti and destroyed the world’s largest work of Chicano art, obscuring the inclusive notion of …
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